The Paradoxes of Art

Erscheinungsjahr 2004
ISBN: 978-0-521-82833-8
Verlag: Cambridge University Press

Buch, Englisch, 272 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 557 g

In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they emotionally affect us. He then applies these questions to painting, demonstrating that certain paintings beckon us to view their contents as real. As emblematic of the fundamental concerns of our lives, paintings, he argues, are not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.

Autoren/Hrsg.

Paskow, Alan

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

Introduction; 1. The reality of fictional beings; 2. Things in our world; 3. Why and how others matter; 4. Why and how a painting matters; 5. For and against interpretation.

Über Autor(innen)

Paskow, Alan
Alan Paskow is professor of philosophy at St. Mary's College of Maryland.