Sculpture, weaving, and the body in Plato

1. Auflage 2023
ISBN: 978-3-11-117819-6
Verlag: De Gruyter

Buch, Englisch, Band 17, 351 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 650 g

Reihe: MythosEikonPoiesis

Plato’s Timaeus is unique in Greek Antiquity for presenting the creation of the world as the work of a divine demiurge. The maker bestows order on sensible things and imitates the world of the intellect by using the Forms as models. While the creation-myth of the Timaeus seems unparalleled, this book argues that it is not the first of Plato’s dialogues to use artistic language to articulate the relationship of the objects of the material world to the world of the intellect. The book adopts an interpretative angle that is sensitive to the visual and art-historical developments of Classical Athens to argue that sculpture, revolutionized by the advent of the lost-wax technique for the production of bronze statues, lies at the heart of Plato’s conception of the relation of the human soul and body to the Forms. It shows that, despite the severe criticism of mimesis in the Republic, Plato’s use of artistic language rests on a positive model of mimesis. Plato was in fact engaged in a constructive dialogue with material culture and he found in the technical processes and the cultural semantics of sculpture and of the art of weaving a valuable way to conceptualise and communicate complex ideas about humans’ relation to the Forms.

Zielgruppe

Scholars and students in the fields of Classics, history of philo

Autoren/Hrsg.

Petraki, Zacharoula

Petrake¯, Zacharula

Fachgebiete

• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Antike Philosophie
• Geisteswissenschaften Literaturwissenschaft Klassische Literaturwissenschaft
• Geisteswissenschaften Kunst Kunstgeschichte

Über Autor(innen)

Zacharoula Petraki, Universität Kreta, Rethymnon, Griechenland.

Zacharoula Petraki, University of Crete, Rethymnon, Greece.