Buch, Englisch, 300 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 635 g
Buch, Englisch, 300 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 635 g
ISBN: 978-1-009-29488-1
Verlag: Cambridge University Press
Autoren/Hrsg.
Weitere Infos & Material
List of figures; List of tables; List of contributors; Acknowledgements; Introduction: mix and stir Tracy C. Davis; Part I. Planning: 1. Difference Brandi Wilkins Catanese, Nicola Marie Hyland and Ben Spatz; 2. Planning a research project: early steps Maggie B. Gale; 3. Interdisciplinary acts: learning about theatre from the social sciences Michael McKinnie; 4. Mixing methods in a multi-sited, collaborative project: researching migration, working with variation Emine Fisek; 5. Ethics Natalie Alvarez and Patrick Anderson; Part II. Doing: 6. You're already a digital humanist: why aren't you thinking like one? Derek Miller; 7. Analyzing immersive performance through lived bricolage Julia M. Ritter; 8. Talking theatre in an oral culture: audience research in Ghana Awo Mana Asiedu; 9. Painful fieldwork? Radical empiricism and ritual performance in the Philippines Julius Bautista; 10. Fieldwork as method in theatre and performance studies Jonas Tinius; Part III. Interpreting: 11. Archives and embodiments Adrian Curtin, Prarthana Purkayastha and meLê yamomo; 12. Methods to research marginalized early-modern practices: Más Saber Baylar Anke Charton; 13. Taking your time: research in learning-disabled theatre Tony McCaffrey; 14. Not here for the disciplines: researching with and for the Pacific Katerina Teaiwa; 15. Complexity Ruthie Abeliovich, Leo Cabranes-Grant and Soo Ryon Yoon; Conclusion: the aesthetics of performance research: appearance, conduct, design Paul Rae; Index.