The Art of Reform in Eleventh-Century Flanders: Gerard of Cambrai, Richard of Saint-Vanne and the Saint-Vaast Bible

Erscheinungsjahr 2006
ISBN: 978-90-04-15097-3
Verlag: Brill

Buch, Englisch, Band 128, 422 Seiten, Format (B × H): 166 mm x 245 mm, Gewicht: 943 g

Reihe: Studies in the History of Christian Traditions

This study is the first detailed exploration of the events and personalities that inspired the early eleventh-century Saint-Vaast Bible's highly innovative miniature program. Copied and illuminated in the venerable abbey of Saint-Vaast, Arras, the Bible broadcast the political and theological beliefs of Bishop Gerard of Cambrai and Abbot Richard of Saint-Vanne, who cooperated in the sometimes contentious reform of a series of abbeys throughout Flanders. While the miniature program defended royal and episcopal hegemony and highlighted the importance of cooperation between secular and ecclesiastical government, the layout of the Bible facilitated continuous reading during the monastic Office. Illustrated with 46 figures and 10 color plates, this book introduces one of the earliest and most important Romanesque Giant Bibles.

Autoren/Hrsg.

Reilly, Diane J

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionsgeschichte

Inhaltsverzeichnis

List of Plates
List of Figures
Acknowledgements
List of Abbreviations

Introduction

1. The Saint-Vaast Bible and Medieval Arras
2. The Lectern Bible and Eleventh-Century Monastic Reform
3. Priestly Prophets
4. Kings, Princes and Politics
5. Lessons for a Queen
6. Continuity and Change in the Saint-Vaast Scriptorium

Appendix

Bibliography
Indices

Plates and Figures

Über Autor(innen)

Diane J. Reilly, Ph.D. (1999) in Art History, University of Toronto, is Assistant Professor of Art History at the Hope School of Fine Art, Indiana University, Bloomington. She has published several studies of the history of Medieval manuscripts, their patrons and political contexts.