Buch, Englisch, 174 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g
Contemporary Black British Women's Writing
Buch, Englisch, 174 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g
Reihe: Routledge Literary Studies in Social Justice
ISBN: 978-1-032-54629-2
Verlag: Taylor & Francis Ltd
This is the first book to focus on writing by black British women writers, using an approach that highlights the potential of this fiction to intervene into discourses that shape the worlds in which it is situated.
Reading to Resist: Contemporary Black British Women's Writing undertakes a close, innovative reading of the novels selected, one that focuses on the texts’ aesthetics as well as their thematic engagement with the worlds of their readers and the worlds the texts themselves construct. Each chapter examines themes such as freedom and agency, moral understanding, and history, while also exploring issues of importance to the contemporary period such as well-being, success, and achievement. Reading to Resist: Contemporary Black British Women's Writing covers a broad range of texts including the work of internationally acclaimed writers such as Nadifa Mohamed, Zadie Smith, Diana Evans and Buchi Emecheta, as well as work by much less well-known writers such as Jacqueline Walker, Yvvette Edwards, and Jacqueline Roy.
Zielgruppe
General, Postgraduate, Professional, Undergraduate Advanced, and Undergraduate Core
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Soziologie von Migranten und Minderheiten
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
Weitere Infos & Material
Introduction 1. Resisting Voicelessness: Contemporary Black British Women’s Autobiography 2. Wrongdoing and Repair in the Work of Yvvette Edwards, Zadie Smith and Nadifa Mohamed 3. “Saying Madness”: Jacqueline Roy’s The Fat Lady Sings and the Fiction of Diana Evans 4. Parting the Veil, Re-writing and Re-purposing the Past: Laura Fish’s Strange Music and Sara Collins’s The Confession of Frannie Langton 5. Mobility, Achievement, and Failure: Buchi Emecheta’s Head above Water, Zadie Smith’s NW, Swing Time, and Natasha Brown’s Assembly