Stanislavsky and Gender

1. Auflage 2025
ISBN: 978-1-032-53351-3
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 168 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 413 g

Reihe: Stanislavsky And...

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. This book provides new insights through historical research, unpublished and newly translated materials, and contemporary perspectives from diverse scholars and practitioners.

Readers will gain a nuanced understanding of how gender informs and intersects with the legacy of Konstantin Stanislavsky and its related traditions from historical, feminist, pedagogical, intersectional, and queer contexts. Stanislavsky and Gender combines historical and contemporary perspectives from scholars and practitioners from the UK, Ireland, the US, Australia, Russia, and Brazil. Their contributions cover theatre histories, her-stories, emotion, feminism, pedagogy, intersectionality, race, and queerness. Following each chapter, contributors are joined in conversation to discuss their writing in a broader context.

Part of the "Stanislavsky And…" series, Stanislavsky and Gender will be invaluable to scholars, teachers, students, and practitioners interested in integrating perspectives on gender into their research, teaching, and practice of Stanislavsky's legacy and associated traditions, and theatre history, acting, directing, actor training, and pedagogy more broadly.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Shields, Mark

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft

Inhaltsverzeichnis

1. Stanislavsky and the First Female Directors of the Moscow Art Theatre  Post Chapter: Maria Ignatieva in Conversation with Rose Whyman  2. Acting Emotional Expression and Gender Identity in Stanislavsky’s Approach  Post Chapter: Peta Tait in Conversation with Maria Ignatieva  3. Re-thinking Stanislavsky’s System as Feminist Practice with Lisa Peck and Bella Merlin  4. Disparities in the Stanislavsky Tradition: Imperceptible and Dispossessed  Post Chapter: Samia La Virgne in Conversation with Maria Brígida De Miranda  5. Commingling Queerness and Stanislavsky: Developing and Practising a Slippery Pedagogy to Shift Perspectives on Actor Training  Post Chapter: Barry Fitzgerald in Conversation with Ray Young. Epilogue: Stanislavski’s Dog by by Spencer Wood

Über Autor(innen)

Mark Shields (They/Them) is a queer nonbinary Postgraduate Researcher in Actor Training Pedagogy at the School of Performance and Cultural Industries, University of Leeds, UK. Mark is also a graduate of the Royal Central School of Speech and Drama, with an MA in actor training and coaching (2016) and of the University of Leeds (2011). Mark has also trained in teaching the Uta Hagen technique with HB Studio, New York, and holds Fellowship of the Higher Education Academy.