Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300-2000

Softcover Nachdruck of the original 1. Auflage 2003
ISBN: 978-1-349-52671-0
Verlag: Palgrave Macmillan US

Buch, Englisch, 268 Seiten, Format (B × H): 127 mm x 203 mm, Gewicht: 316 g

Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu, to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation.

Zielgruppe

Research

Autoren/Hrsg.

Sieber, P.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Postkoloniale Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte: Ereignisse und Themen
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte

Inhaltsverzeichnis

Acknowledgments Prologue Introduction: Rewriting Early Chinese Zaju Song-Drama for Transnational, National, and Local Contexts Art Song Anthologies, Editorial Attributions and the Cult of Affect: Guan Hanqing (c. 1220-c. 1300) and the Transformation of Attestatory Authorship Zaju Song-Drama Collections, Examination Requirements, and the Exigencies of Desire: Li Kaixian (1502-1568), Zang Maoxun (1550-1620) and the Uses of Reproductive Authorship Xixiang ji Editions, the Book Market and the Discourse on Obscenity: Wang Jide (d. 1623), Jin Shengtan (1608-1661) and the Creation of Uncommon Readers Epilogue Notes Bibliography Glossary

Über Autor(innen)

PATRICIA SIEBER is Assistant Professor in the Department of East Asian Languages and Literatures at The Ohio State University. After studying Chinese, Japanese and German literature in Tokyo, Zurich and Beijing, she received her Ph.D. in Chinese from the University of California, Berkeley. Her articles on Chinese canon formation, literary thought and East/West cultural relations have appeared in , , , and . She is also the editor of a collection of contemporary Chinese women's fiction (Rowman & Littlefield, 2001).