Buch, Englisch, 274 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 670 g
Building Catalytic Structures
Buch, Englisch, 274 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 670 g
Reihe: Science and the Arts since 1750
ISBN: 978-1-032-46602-6
Verlag: Taylor & Francis Ltd
Contributors investigate the motivation behind scientifically-embedded contemporary art practices as well as art-based scientific research and engagement that attempt to shape society.
This edited volume reflects the rapidly developing practices comprising integrative and collaborative work across different knowledge domains (including art and science), the benefit of those processes to the individual, to knowledge production (and its complexity) and ultimately the benefits to society (why it is worth doing). The book will provide an overview of the factors in which the exhibition and performance of scientifically-engaged art inside and outside of traditional museum spaces has instigated cultural and aesthetic transformations and social interactions while presenting a variety of opportunities for educators, scientists, artists and the interested public to critically expand its engagement.
The book is intended for scholars interested in collaborative and/or integrative work who study research, methodology, art history, science, and museum studies.
Zielgruppe
Postgraduate and Undergraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Preface Introduction Prologue: Three Reflections: Building Catalytic Structures Part 1. The Construction and Deconstruction of Silos 1. Art & Science: The Forming of Many Cultures 2. Global Challenges Require Multi-Disciplinary Solutions: The Origin, Intent, and Outcomes of a Major National Academy of Sciences Study 3. Art, Science and Technology Studies: Charting Collaborative Practice 4. Why STEAM: Rationale, Implementation, and Impact in Formal and Informal Settings 5. Exposing Ourselves: Elucidating Artists' Methods to Better Establish Their Value in Critical Research 6. Cultivating the Field of Neuroarts 7. Parallel Distributed Collaborations: Building collaborative capacity for artists and scientists to tackle complex problems Part 2. Bridging Knowledge Production and Fostering New Perspectives 8. The da Vinci’s Cube: A New Model for Understanding Innovation at the Edges of Arts and Science 9. Life As We Tell It: A Health Revolution Through Narratives & Creative Expressions 10. Interspecies: Art, Science and the Animal 11. Parsing the Senses to Explore Complex Systems – Multimodal Investigation at the AlloSphere Research Facility 12. Recording Ice: Art and Scientific Knowledge Production in the Arctic Part 3. Societal and Cultural Impact of Integrative Approaches 13. Embody, Engage, Enact 14. Artivist Intervention: A Case Study of The Taiwanese Artivist Vincent Huang 15. The Returned Gaze: Comparing Native and non-Native Audience Responses to Indigenous Films 16. Atelier de la Nature: A Living Community Artwork 17. Artists-in-labs as an Activist Strategy 18. Drawing a New Culture: Bringing Scientists and Artists Together at Sea 19. The UC Berkeley Sagehen Creek Field Station Art Science Program: Thought Process and Experience Part 4. Collaborative Processes in Imagining Future Practices 20. Confronting Crises: Art-Science as Mirror, Connector, and Portal 21. The Art and Technology Organizations of the Future: Can experiments forge new organizational trajectories? 22. Translating Experiential Knowledge and Measuring Impact in Community Arts and Health Programs 23. Imagining the integrative research museum: Articulating values and valuing disagreement 24. Well-Being: Cultural Institution Impact and Purpose 25. Framing the impacts and potential of integrating contemporary art and science practices and goals through a community-wide ecosystem lens
