Buch, Englisch, Band 28, 392 Seiten, Format (B × H): 155 mm x 235 mm
New Approaches to Manuscripts and Texts
Buch, Englisch, Band 28, 392 Seiten, Format (B × H): 155 mm x 235 mm
Reihe: Explorations in Medieval Culture
ISBN: 978-90-04-73537-8
Verlag: Brill
This volume celebrates Simon Gaunt’s scholarship by exploring the current boundaries and future directions of medieval French and Occitan literary criticism. The essays address questions of vital importance to these disciplines, including: What are the literary cultures and identities associated with supralocal vernacular languages? How do medieval manuscripts construct authorship, gendered identity, and voice in ways that range across genres and expressive registers? How do such codices mediate sensory experience and connect the textual, the visual, and the aural? How do French and Occitan texts negotiate the agencies of human and nonhuman bodies, and theorize emotions, sacrifice, and affect?
Contributors are William Burgwinkle, Philippe Frieden, Jane Gilbert, Miranda Griffin, Alice Hazard, Thomas Hinton, Melek Karatas, Sarah Kay, Matthew Siôn Lampitt, Catherine Léglu, Peggy McCracken, Robert Mills, David Murray, Linda Paterson, Karen Pratt, Henry Ravenhall, and Simone Ventura.
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Vor- und Frühgeschichte, prähistorische Archäologie
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Byzantinisch
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
Weitere Infos & Material
Contents
Acknowledgements
List of Figures and Tables
Introduction: Reimagining the Horizons of Medieval French and Occitan Emma Campbell and Luke Sunderland
1 Language and Diversity in Walter de Bibbesworth’s Tretiz Thomas Hinton
2 A Blue Banana? Picard, Occitan, and the Dimensions of European Literary History in Paris, Bibliothèque nationale de France, français 795 David Murray
3 Warping the Sense to Detect the Norm
Linguistic (In)correctness and Competing Grammars in the Histoire ancienne jusqu’à César (Thirteenth–Fifteenth Centuries) Simone Ventura
4 A French Rose? On the Transmission and Reception of the Roman de la Rose Philippe Frieden
5 Viewing Text and Palinode through the Lens of the Manuscripts: Authorial Autocitation and Scribal Editing in Jean Le Fèvre’s Livre de Leesce Karen Pratt
6 Silencing through Translation between Occitan, Latin and Catalan: the Revelations of Constance de Rabastens (fl. ca. 1384–1386) Catherine Léglu
7 Enjoying Sound, Song, and Supralocal French in Aristotle’s India Sarah Kay
8 Singing in (Different) Tongues: Sonic and Formal Warfare in Langtoft’s “Political Songs” Jane Gilbert
9 Makers of Manuscripts as Readers of Manuscripts: the Montbaston Atelier and the Roman de la Rose Melek Karatas
10 Before Time: Cosmology and Embodiment in Arsenal 3516 Miranda Griffin
11 Grief, Affect, and Embodiment in the Ovide moralisé Peggy McCracken
12 Animal Figures in the Bibles moralisées: Medieval Manuscript Culture and Biopolitics Robert Mills
13 Reading Touch in Two Manuscripts of the Roman de Troie (with Jean-Luc Nancy)
Paris, Bibliothèque nationale de France, français 60 and Vatican City, Biblioteca Apostolica Vaticana, Reginensis Latinus 1505 Henry Ravenhall
14 The Modes of Avalon Matthew Siôn Lampitt
15 Tardif and Technics: Bernard Stiegler’s Technique in the Roman de Renart Alice Hazard
Afterword: We Have Never Been (Just) Medieval William Burgwinkle
Bibliography of Work by Simon Gaunt
Bibliography
Index