Samuel Beckett and the Language of Subjectivity

Erscheinungsjahr 2018
ISBN: 978-1-108-48324-7
Verlag: Cambridge University Press

Buch, Englisch, 230 Seiten, Format (B × H): 161 mm x 235 mm, Gewicht: 458 g

Samuel Beckett and the Language of Subjectivity is the first sustained exploration of aporia as a vital, subversive, and productive figure within Beckett's writing as it moves between prose and theatre. Informed by key developments in analytic and continental philosophies of language, Tubridy's fluent analysis demonstrates how Beckett's translations - between languages, genres, bodies, and genders - offer a way out of the impasse outlined in his early aesthetics. The primary modes of the self's extension into the world are linguistic (speaking, listening) and material (engaging with bodies, spaces and objects). Yet what we mean by language has changed in the twenty-first century. Beckett's concern with words must be read through the information economy in which contemporary identities are forged. Derval Tubridy provides the groundwork for new insights on Beckett in terms of the posthuman: the materialist, vitalist and relational subject cathected within differential mechanisms of power.

Autoren/Hrsg.

Tubridy, Derval

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Einzelne Theaterschauspieler & Regisseure
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik

Inhaltsverzeichnis

Introduction; 1. The old credentials; 2. This cursed first person; 3. No knowing not said; 4. Whom else; 5. Rare flickers; Conclusion.

Über Autor(innen)

Tubridy, Derval
Derval Tubridy is Senior Lecturer in the Department of English and Comparative Literature at Goldsmiths, University of London. She is co-director of the London Beckett Seminar at the School of Advanced Study, University of London, and Council member of the British Association of Irish Studies. Author of Thomas Kinsella: The Peppercanister Poems (2001), she has published widely on modernism and Irish studies, and has received funding from the Fulbright Commission, the Arts and Humanities Research Council and the British Academy. She works on modern and contemporary literature, performance and the visual arts with a particular focus on the intersections between language, materiality and process.