Conservation of Contemporary Art

Bridging the Gap Between Theory and Practice
1. Auflage 2024
ISBN: 978-3-031-42359-8
Verlag: Springer International Publishing

Buch, Englisch, Band 9, 401 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 622 g

Reihe: Studies in Art, Heritage, Law and the Market

This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.

Zielgruppe

Research

Autoren/Hrsg.

Saaze, Vivian Van

van de Vall, Renée

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Museumskunde, Materielle Kultur, Erinnerungskultur
• Rechtswissenschaften Internationales Recht und Europarecht Internationales Recht
• Rechtswissenschaften Recht, Rechtswissenschaft Allgemein Rechtsvergleichung
• Rechtswissenschaften Recht, Rechtswissenschaft Allgemein Rechtsgeschichte, Recht der Antike
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie

Inhaltsverzeichnis

Introduction to the Volume.- Part I Theorizing Conservation as a Reflective Practice.- Artworks in Art Museums.- Doing Ethics in Practice: SBMK Platform Meetings.- Part II The Identity of the Art Object.- The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation.- When Old Was New: Rethinking Traditional and Contemporary Art and Their Paradigms of Care.- Languages of Conservation: A Comparison between Internet-based Art and Built Heritage.- No Longer Artwork.-  Part III Professional Roles and Identities: Conservators, Curators, and Artists.- Visible Issues. Insights into the Professional Identity of the Conservator.- Conceptual Art and Conservation.- Reinstalling Thomas Hirschhorn’s Doppelgarage (2002): Bridging Gaps between Theory, Practice and Emotion in the Preservation of Installation Artworks.- The Increasing Role of Artists’ Estates in the Preservation of Contemporary Art.-Part IV Documentation  and Decision-making in Theory and Practice.- Documenting hybrid mixed media art forms: the role of the audience.- Sharing Knowledge in Art Conservation: From Repository Building to Research Publishing.- Collections of (An)archives: Towards a New Perspective on Institutional Collecting of Contemporary Art and the Object of Conservation.-  Decision-Making for the Conservation and Presentation of Thermoelectronic Chewing Gum (1970), a Political Environment by Wolf Vostell.- Part V The Role of Research in the Art Museum.- The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-based Artworks at Tate.-  Integrating Front-of-House with Behind-the-Scenes Practice in Contemporary Art Conservation.- Is Trust Enforceable? The Conservation of Contemporary Artworks from a Socio-legal Perspective.- Making Time.

Über Autor(innen)

Renée van de Vall is emeritus professor of Art & Media at Maastricht University. Her research focuses on the phenomenology of spectatorship in contemporary art, on processes of globalization of contemporary art and media, and on conservation theory and ethics in the context of contemporary art. She was project leader of various research projects, most recently (2016-2019) of the Marie Sklodowska-Curie Innovative Training Network on New Approaches in the Conservation of Contemporary Art (NACCA).

Vivian van Saaze is associate professor of Conservation Theory and Museum Studies at Maastricht University and senior specialist in Modern and Contemporary Art at the Cultural Heritage Agency of the Netherlands (RCE). She is involved in several collaborative research projects and acted as interim project leader of the Marie Sklodowska-Curie Innovative Training Network on New Approaches in the Conservation of Contemporary Art (NACCA).