Revolutionary Cycles in Chinese Cinema, 1951-1979

2014
ISBN: 978-1-137-37873-6
Verlag: Springer Nature B.V.

Buch, Englisch, 274 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 4679 g

A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.

Zielgruppe

Research

Autoren/Hrsg.

Wang, Z.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Introduction: Understanding Revolutionary Culture and Cinema 1. From The Life of Wu Xun to the Career of Song Jingshi: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 1951-1957 2. From Revolutionary Canon to Bourgeois White Flag: Blooming Flowers and the Full Moon (1958) in the Maoist Campaigns 3. From "a Hundred Flowers" to a "Poisonous Weed": Dangerous Opportunities for Satirical Comedies, 1955-1958 4. From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakers' Stylistic Return to the Past, 1958-1960 5. From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959-1963 6. From Conflicting Authorities to Diverse Masses: Early Spring in February (1964) as 'Sugarcoated Poison' Conclusion: From the Ebb of the Revolution to the End of Revolutionary Cinema, 1967-1979

Über Autor(innen)

Zhuoyi Wang is Assistant Professor in the Department of East Asian Languages and Literatures at Hamilton College, USA.