Buch, Englisch, 414 Seiten, Book, Format (B × H): 153 mm x 216 mm, Gewicht: 673 g
The Reception, Translation, and Transformation of Romantic Literature in India and East Asia
Buch, Englisch, 414 Seiten, Book, Format (B × H): 153 mm x 216 mm, Gewicht: 673 g
Reihe: Asia-Pacific and Literature in English
ISBN: 978-981-13-3000-1
Verlag: Springer-Verlag GmbH
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Indische & Dravidische Literatur
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
- Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Ost- & Südostasiatische Literatur
- Geisteswissenschaften Literaturwissenschaft Rezeption, literarische Einflüsse und Beziehungen
Weitere Infos & Material
Introduction.- British Romanticism in Asia, 1820–1950: Modernity, Tradition, and Transformation in India and East Asia.- Section I: Romanticism in Asia: Cross-Cultural Networks.- The News from India: Emma Roberts and the Construction of Late Romanticism.- Flora Japonica: Linnaean Connections Between Britain and Japan During the Romantic Period.- An ‘Exot’ Teacher of Romanticism in Japan: Lafcadio Hearn and the Literature of the Ghostly.- On William Empson’s Romantic Legacy in China.- Section II: Colonialism and Resistance.- Romanticism in Colonial Korea: Coterie Literary Journals and the Emergence of Modern Poetry in the Early 1920s.- "Truth in Beauty and Beauty in Truth": Rabindranath Tagore’s Appropriation of John Keats’ "Ode on a Grecian Urn" (1819).- Romantic, Rebel, and Reactionary: The Metamorphosis of Byron in Twentieth-Century China.- Section III: Nature, Aesthetics, and Translation.- Nature and the Natural: Translating Wordsworth’s "I Wandered Lonely as a Cloud" (1807/15) into Chinese.- "With Sidewise Crab-Walk Western Writing": Tradition and Modernity in Shimazaki Toson and Natsume Soseki.- Of Ponds, Lakes, and the Sea: Shoyo, Shakespeare, and Romanticism.- Section IV: Bodies and the Cosmos.- Nogami Yaeko’s Adaptations of Austen Novels: Allegorising Women’s Bodies.- The Romantic Skylark in Taiwanese Literature: Shelleyan Religious Scepticism in Xu Zhimo and Yang Mu.- A Japanese Blake: Embodied Visions in William Blake’s The Marriage of Heaven and Hell (1790) and Tezuka Osamu’s Phoenix (1967–88).- "Rouse up O Young Men of the New Age!": Oe Kenzaburo and William Blake on bodies, biopolitics, and the imagination.