New Orleans Suite - Music and Culture in Transition

1. Auflage 2013
ISBN: 978-0-520-27387-0
Verlag: University of California Press

Buch, Englisch, 158 Seiten, Cloth Over Boards, Format (B × H): 150 mm x 250 mm, Gewicht: 666 g

With New Orleans Suite, Eric Porter and Lewis Watts join the post-Katrina conversation about New Orleans and its changing cultural scene. Using both visual evidence and the written word, Watts and Porter pay homage to the city, its region, and its residents, by mapping recent and often contradictory social and cultural transformations, and seeking to counter inadequate and often pejorative accounts of the people and place that give New Orleans its soul. Focusing for the most part on the city’s African American community, New Orleans Suite is a story about people: how bad things have happened to them in the long and short run, how they have persevered by drawing upon and transforming their cultural practices, and what they can teach us about citizenship, politics, and society.

Autoren/Hrsg.

Watts, Lewis

Porter, Eric

Fachgebiete

• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Umwelt und Kultur, Kulturökologie
• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kunstethnologie, Musikethnologie
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie
• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kultur- und Sozialethnologie: Allgemeines

Inhaltsverzeichnis

Preface

Acknowledgments

Foundations: Plates 1–16
Section 1. New Orleans, America, Music

Section 2. Reflections on Jazz Fest 2006

Hurricane Katrina: Plates 17–43

Funerals and Second Lines: Plates 44–62
Mardi Gras: Plates 63–80
Section 3. Parading against Violence

Section 4. Reconstruction’s Soundtrack

Section 5. To Reinvent Life

Notes

Selected Bibliography

Index

Über Autor(innen)

Eric Porter is Professor of American Studies, History, and History of Consciousness at the University of California, Santa Cruz. He is the author of What Is This Thing Called Jazz?, winner of a 2003 American Book Award, and The Problem of the Future World.

Lewis Watts is Professor of Art at the University of California, Santa Cruz. He is a photographer and visual archivist and coauthor of Harlem of the West, The San Francisco Fillmore Jazz Era. His photography has been exhibited internationally and it is in the collections of major museums across the country.