Abberley Mimicry and Display in Victorian Literary Culture

Nature, Science and the Nineteenth-Century Imagination
Erscheinungsjahr 2020
ISBN: 978-1-108-80620-6
Verlag: Cambridge University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 0 Seiten

Reihe: Cambridge Studies in Nineteenth-Century Literature and Culture

Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations. Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens. Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and infused the rhetoric of cultural criticism and political activism.

Autoren/Hrsg.

Abberley, Will

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik

Inhaltsverzeichnis

Introduction. Adaptive appearance in nineteenth-century culture; 1. Seeing things: art, nature and science in representations of crypsis; 2. Divine displays: Charles Kingsley, hermeneutic natural theology and the problem of adaptive appearance; 3. Criminal chameleons: the evolution of deceit in Grant Allen's fiction; 4. Darwin's little ironies: evolution and the ethics of appearance in Thomas Hardy's fiction; 5. Blending in and standing out I: crypsis versus individualism in fin-de-siècle cultural criticism; 6. Blending in and standing out II: mimicry, display and identity politics in the literary activism of Israel Zangwill and Charlotte Perkins Gilman; Conclusion. Adaptive appearance and cultural theory.

Über Autor(innen)

Abberley, Will
Will Abberley is Senior Lecturer in Victorian Literature at the University of Sussex. His other books are English Fiction and the Evolution of Language 1850–1914 (2015) and Underwater Worlds: Submerged Visions in Science and Culture (2018). He is a BBC New Generation Thinker and Philip Leverhulme Prize recipient.