Bunzel / Loges Musical Salon Culture in the Long Nineteenth Century

1. Auflage 2019
ISBN: 978-1-78744-534-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 302 Seiten, EPDF

This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.

Autoren/Hrsg.

Bunzel, Anja

Loges, Natasha

Weitere Mitwirkende

Bunzel, Anja

Loges, Natasha

Ronyak, Jennifer

Todd, R. Larry

Uhde, Katharina

Santos Rutschman, Kirsten

Bagge, Maren

Kreutzfeldt, Clemens

Garnett, Mary Anne

Darmstädter, Beatrix

Bozó, Péter

White, Harry

Youens, Susan

Wilhelmy-Dollinger, Petra

Krebs, Harald

Uhde, Michael

Callam, Katie A.

Kusz, Veronika

Inhaltsverzeichnis

Introduction - Anja Bunzel and Natasha Loges
Johanna Kinkel's Social Life in Berlin (1836-39): Reflections on Historiographical Sources - Anja Bunzel
Accidental Aesthetics in the Salon: Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak
Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's Quartettabend bei Bettina von Arnim Reconsidered - Katharina Uhde
Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's Quartettabend bei Bettina von Arnim Reconsidered - R. Larry Todd
Reading, Singing, Becoming: The Mädchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges
Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman
Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge
Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Clemens Kreutzfeldt
The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett
The Instruments of the Vienna Biedermeier Salon: Diversity in Design, Sound, and Technology - Beatrix Darmstädter
Offenbach and the Representation of the Salon - Péter Bozó
Affordances of the Piano: A Cinematic Representation of the Victorian Salon - Harry White
'Der Mensch ist zur Geselligkeit geboren': Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens
Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger
Josephine Lang and the Salon in Southern Germany - Harald Krebs
Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde
An Invitation to 309 Beacon Street: Clara Kathleen Rogers and her Boston Salon - Katie A. Callam
'Too Much Playing Four Hands!': Ernst von Dohnányi's European Salon in the United States of the 1950s - Veronika Kusz
Select Bibliography
Index

Über Autor(innen)

Loges, Natasha
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.

Loges, Natasha
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.

Loges Natasha:
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.Loges Natasha:
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.