Sound in Indian Film and Audiovisual Media

History, Practices and Production
1. Auflage 2025
ISBN: 978-1-041-18639-7
Verlag: Taylor & Francis Ltd

Buch, Englisch, 254 Seiten, Format (B × H): 156 mm x 234 mm

This book is the first ever systematic attempt to study film sound in the Indian subcontinent by artistic research. The book aims to fill the scholarly void on the issues of sound and listening in the Global Souths’ cultures. It develops a comprehensive understanding of the unique sound world of Indian film and audiovisual media through the examination of historical developments of sound from early optical recordings to contemporary digital audio technologies. The book is enriched with a practice-based methodology informed by the author’s own practice and based on extensive conversations with leading sound practitioners in the Indian subcontinent. The book locates an emerging social and spatial awareness in Indian film and media production aided by a creative practice of sound, occurring alongside the traditionally transcendental, oral, and pluriversal approach to listening. By tracing this confluence of tradition and modernity, the book makes valuable contributions to the fields of film history, sound, and media studies.

Zielgruppe

Academic

Autoren/Hrsg.

Chattopadhyay, Budhaditya

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Naturwissenschaften Physik Mechanik Akustik, Schwingungsanalyse
• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Akustik, Tontechnik
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte

Inhaltsverzeichnis

1 Introduction, 2 The Technological Frameworks, 2.1 Optical recording and direct sound, 2.2 Magnetic recording and dubbing, 2.3 Digital recording, sync sound, and surround design, 3 Direct Sound and Early Talkies, 4 Sound of the Golden Age, 5 Tracing the Sound in Satyajit Ray's Film-works, 6 Popular Films from the Dubbing Era, 7 Parallel Sounds, Radical Listening - Part I, 8 Sholay, Stereo Sound and the Auditory Spectacle, 9 The Advent of Digital Sync Sound, 10 The Surround Revolution, 11 Sound in the Audiovisual Media Arts, 12 Parallel Sounds, Radical Listening - Part II, 13 A Concluding Voiceover, Appendix: Bibliography and works cited.

Über Autor(innen)

Budhaditya Chattopadhyay is an artist, researcher, and writer. He is the author of four books: The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Chattopadhyay is a Visiting Professor at the Critical Media Lab, Basel.