Buch, Englisch, 316 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 452 g
Buch, Englisch, 316 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 452 g
ISBN: 978-1-316-64721-9
Verlag: Cambridge University Press
This is a remarkable account of the revolutionary impact of modern dance on European cultural life in the early twentieth century. Edward Ross Dickinson uncovers modern dance's place in the emerging 'mass' culture of the modern metropolis, sufficiently ubiquitous and high-profile to spark media storms, parliamentary debates, and exasperated denunciations even from progressive art critics. He shows how modern dance spoke in multiple registers - as religious and as scientific; as redemptively chaste and scandalously sensual; as elitist and popular. He reveals the connections between modern dance and changing gender relations and family dynamics, imperialism, racism, and cultural exchanges with the wider non-European world, and new conceptions of selfhood. Ultimately the book finds in these complex and often contradictory connections a new way of understanding the power of modernism and modernity and their capacity to revolutionize and transform the modern world in the momentous, creative, violent middle decades of the twentieth century.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
Weitere Infos & Material
Introduction: modern dance and the birth of the twentieth century; 1. Modern dance and the business of popular culture; 2. Art, women, liberation; 3. Blood and make believe: race, identity, and performance; 4. Embodied revelation: dance, religion, and knowledge; 5. Legacies: dance as profession, spectacle, therapy, politics; Conclusion: coherent contradictions in modernism and modernity.