Visual Subjectivity in Chinese and American Thought and Literature

1. Auflage 2025
ISBN: 978-1-041-02812-3
Verlag: Routledge

Buch, Englisch, 242 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 534 g

Reihe: Routledge Research on Asian Literature

Providing the reader with a systematic study of visual subjectivity in comparative thought and literature, this book analyses the role that vision and visuality, especially interpersonal visuality, play in the constitution of subject and subjectivity in Chinese and American traditions.

Examining the formation of visual subjectivity in the philosophical works by major Chinese and Western thinkers, this book provides a comparative study of four masterworks of Chinese and American fiction, focusing on The Plum in the Golden Vase, The Story of the Stone, Moby Dick, and The Scarlet Letter. It demonstrates that there are both psychologically universal and culturally specific factors and features in the visual constitution and representation of self, identity, subject, and subjectivity.

Offering fresh insights for cross-cultural studies of intellectual thought, literature, ideology, and culture through the visual lens, this book will appeal to students and scholars engaged in comparative studies of Chinese and American thought, literature, and narrative theory.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Duan, Guozhong

Dong Gu, Ming

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Ost- & Südostasiatische Literatur
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft

Inhaltsverzeichnis

Introduction: Visual Subjectivity in Chinese and American Traditions  1. Self and Visuality in Chinese Thought 2. Theories of Visual Subjectivity in Western Thought 3. Intellectual Context for Visual Representation of Subjectivity in Chinese and American Fiction 4. Visual Politics and Narcissistic Imagining: The Sin of Seeing in the Plum in the Golden Vase 5. Hall of Mirrors and Self Identity: Tragic Vision in the Story of the Stone 6. Visual Trap: Transcendentalist Vision and Subjectivity in Moby Dick 7. Dualistic Vision and Disciplinary Gaze: Ethics of Visuality in Hawthorne’s Fiction Conclusion: A Transcultural View of Visual Subjectivity

Über Autor(innen)

Guozhong Duan received his PhD in literary studies from the University of Texas at Dallas and is currently an associate professor of international studies in Yangzhou University, China. He has published numerous Chinese and English articles in journals and volumes including Journal of Qinghua University, Journal of Zhejiang University, Journal of Dr. Sun Yat-sen University, and Social Sciences Abroad, and Routledge Handbook of Modern Chinese Literature.

Ming Dong Gu is the Katherine R. Cecil Professor in the Bass School of Arts, Humanities, Technology at the University of Texas at Dallas. He has authored five English monographs and edited three English volumes. His recent publications include The Nature and Rationale of Zen/Chan and Enlightenment (2024); Fusion of Critical Horizons in Chinese and Western Language, Poetics, and Aesthetics (2021); and Routledge Handbook of Modern Chinese Literature (2019). In addition, he has published more than 180 articles in English and Chinese journals.