Fazan / Brys / Burzynska Tadeusz Kantor Today

Metamorphoses of Death, Memory and Presence- Translated by Anda MacBride
Erscheinungsjahr 2014
ISBN: 978-3-653-99774-3
Verlag: Peter Lang
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 7, 0 Seiten

Reihe: Polish Studies – Transdisciplinary Perspectives

This book is a compendium of texts by international authors which reflect on Tadeusz Kantor’s art in a broad range of contexts. The studies include works of prominent art historians, theatrologists and artists. The present revisiting of Kantor’s artistic œuvre reflects a contemporary historiographic approach. The authors place value on individual memory and consider contemporary art outside the traditional boundaries of particular artistic genres. The studies employ the latest strategies for researching theatrical performance as autonomous statements, without a literary anchor. Thanks to this approach, the eschatological and historical issues, crucial to the sphere of reference of Kantor’s Theatre of Death, have acquired a new presence – as art that liberates thinking in the here-and-now.

Autoren/Hrsg.

Fazan, Katarzyna

Brys, Marta

Burzynska, Anna R.

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Einzelne Theaterschauspieler & Regisseure
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

Contents: Katarzyna Fazan: Tadeusz Kantor - Yesterday and Today – Renato Palazzi: Kantor’s Greatness: An Inconvenient Heritage – Loriano Della Rocca: Tadeusz Kantor, Krakow, 8th December 1990 - 8th December 2010 – Krzysztof Miklaszewski: The Actor in Kantor’s Theatre: A Visionary’s Questions, a Practitioner’s Answers and a Contemporary Post Script – Andrzej Welminski: Function and Significance of the Theatre Company in the Development of Cricot 2 Productions – Lech Stangret: The Role of Drawing in the Creation of Tadeusz Kantor’s Self-mythology – Dominika Larionow: Tadeusz Kantor’s Mannequin and Edward G. Craig’s Über-Marionette: An Outline of an Idea – Anna R. Burzynska: Returns of the Rhinoceros – Katarzyna Osinska: Don Quixote according to Kantor: Between Reality and Fiction – Malgorzata Paluch-Cybulska: Tadeusz Kantor: ... Velázquez’s Infantas as Sacred Relics or Madonnas – Josep Maria de Sagarra Àngel: Tadeusz Kantor’s Theatre of Emotions: Apropos the Spanish Reception of the Artist – Amos Fergombe: The Door, Frame or Transcendental Threshold in the Work of Tadeusz Kantor – Klaudiusz Swiecicki: Anthropology of History and Memory in the Theatrical Work of Tadeusz Kantor – Grzegorz Niziolek: Anxiety and What Next … – Wojciech Owczarski: The Theatre of Dreams in The Theatre of Death – Cécile Coutin: La Machine de l’Amour et de la Mort de Tadeusz Kantor – Mateusz Chaberski: What Can Tadeusz Slobodzianek’s Our Class Tell Us about The Dead Class? The Political Dimension of Memory in the Work of Tadeusz Kantor – Marek Pieniazek: Kantor - Reactivating One’s Own Reality: Late Productions by Cricot 2 – Michal Kobialka: Epilogue. Tadeusz Kantor’s Theatre of Personal Confessions: Notes on Late Style – Jan Klossowicz: The Anatomy Lesson: Kantor’s Plots – Pawel Stangret: Reading Tadeusz Kantor 2 – Katarzyna Tokarska-Stangret: «Non omnis moriar» of the Theatre Artist – Jean-Pierre Thibaudat: Autour de la photographie de Wielopole – Anna Halczak: CRICOTEKA - «The Necessity of Transmission» – Marie-Thérèse Vido-Rzewuska: Kantor, Schulz, Malczewski, Wyspianski: Some Paradoxes – Andrzej Turowski: Dazzling Afterimages – Jaromir Jedlinski: Kantor and Beuys: Parallel Processes? – Rafal Solewski: Heritage and Identity in Tadeusz Kantor’s Œuvre and Postmodernism – Zbigniew Osinski: Tadeusz Kantor – Jerzy Grotowski: Two Concepts of Theatre and Art – Ruggero Bianchi: Minor Notes on a Borderline Artist – Klaus Dermutz: «The Horror of War and/of The World, with the Circus Mixed.» Reflections by Anselm Kiefer on Tadeusz Kantor’s Theatre – Katarzyna Fazan: Shadows of the Polish Odysseus: Wyspianski - Kantor – Grzegorzewski – Uta Schorlemmer: Present Absence in Tadeusz Kantor’s and Christoph Schlingensief’s Late Performances.

Über Autor(innen)

Katarzyna Fazan is Assistant Professor at the Jagiellonian University and the L. Solski State Drama School in Krakow. Anna R. Burzynska, PhD, is a lecturer in Theatre Studies at the Jagiellonian University in Krakow. Marta Brys is a postgraduate in Theatre Studies at the Jagiellonian University in Krakow.