E-Book, Englisch, 240 Seiten
Fox / Unknown / Irish Positive emotions in early modern literature and culture
1. Auflage 2021
ISBN: 978-1-5261-3714-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet
E-Book, Englisch, 240 Seiten
ISBN: 978-1-5261-3714-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet
Exploring representations of happiness and other positive emotions in early modern Europe, this volume brings together interdisciplinary approaches informed by affect theory, history of emotions research, and the contemporary cognitive sciences to highlight the meanings and valuations of good feelings in the Renaissance.
Autoren/Hrsg.
Weitere Infos & Material
Introduction — Cora Fox, Bradley J. Irish, and Cassie M. Miura
Part I: Rewriting discourses of pleasure
1 Happy Hamlet — Richard Strier
2 Therapeutic laughter in Robert Burton’s The Anatomy of Melancholy — Cassie M. Miura
3 The pleasure of the text: reading and happiness in Rabelais and Montaigne — Ian Frederick Moulton
4 Pleasure and the ‘rustic life’ — Ullrich Langer
Part II: Imagining happy communities
5 The theology of cheer, Erasmus to Shakespeare — Timothy Hampton
6 ‘My crown is called content’: positive, negative, and political affects in Shakespeare’s first tetralogy — Paul Joseph Zajac
7 Solidarity as ritual in the late Elizabethan court: faction, emotion, and the Essex Circle — Bradley J. Irish
8 Merriness affect and community in Shakespeare’s Merry Wives of Windsor — Cora Fox
Part 3: Forms, attachment, and ambivalence
9 Happy objects and earthly pleasure in Thomas Traherne’s devotional poetry — Leila Watkins
10 Trust and disgust: the precariousness of positive emotions in Webster’s The Duchess of Malfi — Lalita Pandit Hogan
11 ‘My heart is satisfied’: revenge, justice and satisfaction in The Spanish Tragedy — Eonjoo Park
12 All’s Well That Ends Well? Happiness, ambivalence, and story genre — Patrick Colm Hogan
Afterword — Michael C. Schoenfeldt