Beckett, Deleuze and the Televisual Event

Peephole Art
2012. Auflage 2012
ISBN: 978-1-137-01435-1
Verlag: Palgrave MacMillan UK

Buch, Englisch, 226 Seiten, Format (B × H): 142 mm x 216 mm, Gewicht: 454 g

An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.

Zielgruppe

Research

Autoren/Hrsg.

Gardner, C.

Fachgebiete

• Geisteswissenschaften Philosophie Sozialphilosophie, Politische Philosophie
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio

Inhaltsverzeichnis

Acknowledgements List of Plates List of Figures Introduction: Intuition/Image/Event: 'Beckett's Peephole' as Audio-Visual Rhizome Thinking the Unthinkable: Time, Cinema and the Incommensurable Beyond Percept and Affect: Beckett's Film (1964) and Non-Human Becoming From 'Dialoghorrhea' to Mental-Image: Comédie (1966), Not I (1977) & What Where (1986) Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977), and …but the clouds' (1977) How to Build a Desiring Machine: Quadrat I + II (1981) Video-body, Video-brain: Nacht und Träume (1983) as Tele-Visual Event Conclusion: The Incommensurable Unnameable: Beckett, Deleuze and the Birth of the Event Bibliography Notes Index

Über Autor(innen)

COLIN GARDNER is Professor of Critical Theory and Integrative Studies at University of California, Santa Barbara, USA, where he teaches in the departments of Art, Film & Media Studies, Comparative Literature and the History of Art & Architecture. He is the author of critical studies on Joseph Losey and Karel Reisz.