La Pocha Nostra

A Handbook for the Rebel Artist in a Post-Democratic Society
1. Auflage 2020
ISBN: 978-0-367-33821-3
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 288 Seiten, Format (B × H): 155 mm x 231 mm, Gewicht: 953 g

La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.

Featuring a newly reworked outline of La Pocha Nostra's overall pedagogy, and how it has evolved in the time of Trump, cartel violence, and the politics of social media, this new handbook presents deeper explanations of the interdisciplinary pedagogical practices developed by the group that has been labeled "the most influential Latino/a performance troupe of the past ten years."

Co-written by Guillermo Gómez-Peña in collaboration with La Pocha Nostra’s artistic co-director Saúl García-López and edited by Paloma Martinez-Cruz, this highly anticipated follow-up volume raises crucial questions in the new neo-nationalist era. Drawing on field experience from ten years of touring, the authors blend original methods with updated and revised exercises, providing new material for teachers, universities, radical artists, curators, producers, and students.

This book features:

- Introductions by the authors and editor to Pocha Nostra practice in a post-democratic society.

- Theoretical, historical, poetic, and pedagogical contexts for the methodology.

- Suggestions for how to use the book in the classroom and many other scenarios.

- Detailed, hands-on exercises for using Pocha Nostra-inspired methods in workshops.

- A step-by-step guide to creating large-scale group performances.

- New, unpublished photos of the Pocha Nostra methods in practice.

- Additional texts by Reverend Billy and Savitri D., Dragonfly, Francesca Carol Rolla, VestAndPage, Micha Espinosa, Zulfikar Ali Bhutto, Praba Pilar, L. M. Bogad, Anuradha Vikram, and Annie Sprinkle and Beth Stephens, among many others.

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The book is complemented by the new book Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2019).

Zielgruppe

General, Postgraduate, Professional, Professional Practice & Development, and Undergraduate

Autoren/Hrsg.

Gómez-Peña, Guillermo

García-López, Saúl

Martinez-Cruz, Paloma

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste
• Geisteswissenschaften Kunst Kunststile Indigene Kunst, Volkskunst

Inhaltsverzeichnis

Chapter 1 "Pochology" in a Post-Democratic Society; Chapter 2 Soundscapes for Dark Times: A Border Pedagogy for Resistance; Chapter 3 The 2019 Pocha Nostra Manifesto for a "Post-Democratic Era"; Chapter 4 What to Expect from a Pocha Workshop; Chapter 5 Important Notes to Producers and Workshop Facilitators; Chapter 6 Notes to Workshop Participants; Chapter 7 Radical Pedagogy for a Post-Democratic Society; Chapter 8 Performance Exercises, Rituals, and Games to Cross Borders; Chapter 9 With Love from the Trenches: Further Techniques and Reflections from Pocha and our Partners in Crime; Chapter 10 Sound Outs for Radical Inclusion: Poetry and Testimony unleashed by the Pocha Method

Über Autor(innen)

Guillermo Gómez-Peña is a performance artist, writer, activist, and educator. He is the author of 12 books including Ethno Techno (2005) and Dangerous Border Crossers (2000). His classic performance pieces include Border Brujo (1988), The Cruci-Fiction Project (1994), and Mexterminator (1997–1999). He is founder and co-director of La Pocha Nostra.

Saúl García-López, PhD, is a performance artist, performance director, pedagogue, scholar, and co-artistic director of La Pocha Nostra. His work focuses on performance pedagogy, indigeneity, gender, decolonial theory, and border theory. His performance practice focuses on social shamanic exorcisms, conceptual cannibalism, and psychomagic actions as a passage for decolonization.