This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including
Aaranaya Kaandam
,
I.D
.,
Kaul
,
Chauthi Koot
,
Cosmic Sex
, and
Gaali Beeja
, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.
Gopalan
Cinemas Dark and Slow in Digital India jetzt bestellen!
Weitere Infos & Material
Part One.- 1 .Introduction.- 2 .Minding the Gap: The Arrival of Digital Feature Films.- 3. Slowing Down.- Part Two.- 4. Bombay Noir.- 5. Tamil New Wave.- 6. Road Movie.- 7.Untitled: Amitabh Chakraborty’s Cinema.
Lalitha Gopalan is Associate Professor in the Department of Radio-Television-Film, affiliate faculty in the Department of Asian Studies, South Asia Institute, and Core Faculty in the Center for Women and Gender Studies at the University of Texas in Austin, USA. She is the author of
Cinema of Interruptions: Action Genres in Contemporary Indian Cinema
(BFI Publishing, 2002) and
Bombay
(BFI Modern Classics, 2005), and editor of
Cinema of India
(Wallflower Press, 2010). She is a member of the editorial collective
Camera Obscura: Feminism, Culture, and Media Studies.