Nuns as Artists - The Visual Culture of a Medieval Convent

1. Auflage 1997
ISBN: 978-0-520-20386-0
Verlag: University of California Press

Buch, Englisch, Band 37, 352 Seiten, Cloth Over Boards, Format (B × H): 184 mm x 262 mm, Gewicht: 1220 g

Reihe: California Studies in the History of Art

Jeffrey F. Hamburger's groundbreaking study of the art of female monasticism explores the place of images and image-making in the spirituality of medieval nuns during the later Middle Ages. Working from a previously unknown group of late-fifteenth-century devotional drawings made by a Benedictine nun for her cloistered companions, Hamburger discusses the distinctive visual culture of female communities. The drawings discovered by Hamburger and the genre to which they belong have never been given serious consideration by art historians, yet they serve as icons of the nuns' religious vocation in all its complexity.

Setting the drawings and related imagery—manuscript illumination, prints, textiles, and metalwork—within the context of religious life and reform in late medieval Germany, Hamburger reconstructs the artistic, literary, and institutional traditions that shaped the lives of cloistered women.

Hamburger convincingly demonstrates the overwhelming importance of "seeing" in devotional practice, challenging traditional assumptions about the primacy of text over image in monastic piety. His presentation of the "visual culture of the convent" makes a fundamental contribution to the history of medieval art and, more generally, of late medieval monasticism and spirituality.

Autoren/Hrsg.

Hamburger, Jeffrey

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen
• Geisteswissenschaften Kunst Kunst, allgemein
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Byzantinisch
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Frühchristliche, byzantinische Archäologie

Inhaltsverzeichnis

List of Illustrations

Preface and Acknowledgments

INTRODUCTION
I. PATTERNS OF PIETY PROTOCOLS OF VISION:THE VISUAL CULTURE OF ST. WALBURG

Delineating Devotions

Printed Exemplars

Manuscript Models

Woven Work

Consecration and Enclosure

II. THE SWEET ROSE OF SORROW

Roses and Remembrance

Passionate Prayer

Agony, Ecstasy, Obedience

III. WOUNDING SIGHT

Exemplary Images

Penetrating Vision

IV. THE HOUSE OF THE HEART

Union and Communion

The Heart as a House

Knocking at Heaven's Gate
An Interior Castle

V. NUNS' WORK
Ora et Labora: Prayer and Work

The Circulation of Images

CONCLUSION:VISION VERSUS SUPERVISION

Abbreviations

Notes

Bibliography
Index of Biblical Citations

Index of Manuscripts Cited

General Index

Über Autor(innen)

Jeffrey F. Hamburger is the Irving E. Houck Associate Professor in the Humanities at Oberlin College and the author of The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland circa 1300 (1990). Among his several honors are the Gustave O. Arlt Award in the Humanities (1991), and the John Nicholas Brown Prize of the Medieval Academy of America (1994).