Hesiod Hesiod and Homerica

1. Auflage 2018
ISBN: 978-1-4553-9450-0
Verlag: Seltzer Books
Format: EPUB
Kopierschutz: 0 - No protection

E-Book, Englisch, 502 Seiten

This volume contains practically all that remains of the post-Homeric and pre-academic epic poetry, including: Works and Days, and Theogony both attributed to Hesiod; Homeric Hymns and Epigrams of Homer both attributed to Homer; plus various fragments such as Fragments of the Epic Cycle. According to Wikipedia: 'Homer is a legendary ancient Greek epic poet, traditionally said to be the author of the epic poems the Iliad and the Odyssey. The ancient Greeks generally believed that Homer was a historical individual, but modern scholars are skeptical: no reliable biographical information has been handed down from classical antiquity, and the poems themselves manifestly represent the culmination of many centuries of oral story-telling and a well-developed 'formulaic' system of poetic composition.' According to Wikipedia: 'Hesiod was a Greek oral poet, who may have lived around 700 BCE or earlier. Hesiod and Homer are generally considered the earliest Greek poets whose work has survived since at least Herodotus' time (Histories, 2.53), and they are often paired... Hesiod's writings serve as a major source on Greek mythology, farming techniques, archaic Greek astronomy and ancient time-keeping.'

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Hesiod

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published by Samizdat Express, Orange, CT, USA established in 1974, offering over 14,000 books   Ancient Greek and Roman culture, literature, and philosophy -- Plato, Complete Dialogues, translated by Jowett The Architecture of Vitruvius Cookery and Dining in Imperial Rome by Apicius The Geography of Strabo Letters of Pliny A Selection of the Discourses of Epictetus On the Sublime by Longinus Treatises on Friendship and Old Age by Cicero Thoughts of the Emperor Marcus Aurelius The Golden Ass by Apuleius The Golden Sayings of Epictetus Of the Nature of Things by Lucretius Ovid's Metamorphoses Plutarch's Morals Plutarch's Essays Lives of the Poets by Suetonius Five comedies by Plautus Comedies by Terence The True History by Lucian Satyricon by Petronius Roman Women by Brittain Daphnis and Chloe by Longus Aristophanes all 11 comedies Aeschylus 7 plays Sophocles 7 plays Euripides 10 plays The Consolation of Philosophy by Boethius Virgil's Aeneid translated by William Morris Homeric Hymns Hesiod The Carmina of Catullus Odes of Pindar Homer's Iliad in prose translated by Andrew Lang Homer's Iliad in verse translated by Alexander Pope Homer's Odyssey in prose translated by Samuel Butler Homer's Odyssey in verse translated by Alexander Pope Aristotle's Poetic, Ethics, Politics, and Categories The Best of the World's Classics: Greece The Best of the World's Classics: Rome   feedback welcome: [e-mail]   visit us at samizdat.com   This file contains translations of the following works:     Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod.   Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer).   Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod".   This file contains only that portion of the book in English; Greek texts are excluded.  Where Greek characters appear in the original English text, transcription in CAPITALS is substituted.   PREFACE INTRODUCTION   THE WORKS OF HESIOD WORKS AND DAYS (832 lines) THE DIVINATION BY BIRDS (fragments) THE ASTRONOMY (fragments) THE PRECEPTS OF CHIRON (fragments) THE GREAT WORKS (fragments) THE IDAEAN DACTYLS (fragments) THE THEOGONY (1,041 lines) THE CATALOGUES OF WOMEN AND EOIAE (fragments) (1) THE SHIELD OF HERACLES (480 lines) THE MARRIAGE OF CEYX (fragments) THE GREAT EOIAE (fragments) THE MELAMPODIA (fragments) AEGIMIUS (fragments) FRAGMENTS OF UNKNOWN POSITION   WORKS ATTRIBUTED TO HOMER THE HOMERIC HYMNS HOMER'S EPIGRAMS (1) THE WAR OF THE TITANS (fragments) THE STORY OF OEDIPUS (fragments) THE EPIGONI (fragments) THE CYPRIA (fragments) THE AETHIOPIS (fragments) THE LITTLE ILIAD (fragments) THE SACK OF ILIUM (fragments) THE RETURNS (fragments) THE TELEGONY (fragments) THE EXPEDITION OF AMPHIARAUS (fragments) THE TAKING OF OECHALIA (fragments) THE PHOCAIS (fragments) THE MARGITES (fragments) THE CERCOPES (fragments) THE BATTLE OF FROGS AND MICE (303 lines) OF THE ORIGIN OF HOMER AND HESIOD, AND OF THEIR CONTEST (aka "The Contest of Homer and Hesiod")   PREFACE
  This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry.   I have for the most part formed my own text.  In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. W.H.D. Rouse; otherwise I have depended on the apparatus criticus of the several editions, especially that of Rzach (1902).  The arrangement adopted in this edition, by which the complete and fragmentary poems are restored to the order in which they would probably have appeared had the Hesiodic corpus survived intact, is unusual, but should not need apology; the true place for the "Catalogues" (for example), fragmentary as they are, is certainly after the "Theogony".   In preparing the text of the "Homeric Hymns" my chief debt -- and it is a heavy one -- is to the edition of Allen and Sikes (1904) and to the series of articles in the "Journal of Hellenic Studies" (vols. xv.sqq.) by T.W. Allen.  To the same scholar and to the Delegates of the Clarendon Press I am greatly indebted for permission to use the restorations of the "Hymn to Demeter", lines 387-401 and 462-470, printed in the Oxford Text of 1912.   Of the fragments of the Epic Cycle I have given only such as seemed to possess distinct importance or interest, and in doing so have relied mostly upon Kinkel's collection and on the fifth volume of the Oxford Homer (1912).   The texts of the "Batrachomyomachia" and of the "Contest of Homer and Hesiod" are those of Baumeister and Flach respectively: where I have diverged from these, the fact has been noted.   Hugh G. Evelyn-White, Rampton, NR. Cambridge. Sept. 9th, 1914.   INTRODUCTION
  General   The early Greek epic -- that is, poetry as a natural and popular, and not (as it became later) an artificial and academic literary form -- passed through the usual three phases, of development, of maturity, and of decline.   No fragments which can be identified as belonging to the first period survive to give us even a general idea of the history of the earliest epic, and we are therefore thrown back upon the evidence of analogy from other forms of literature and of inference from the two great epics which have come down to us.  So reconstructed, the earliest period appears to us as a time of slow development in which the characteristic epic metre, diction, and structure grew up slowly from crude elements and were improved until the verge of maturity was reached.   The second period, which produced the "Iliad" and the "Odyssey", needs no description here: but it is very important to observe the effect of these poems on the course of post-Homeric epic.  As the supreme perfection and universality of the "Iliad" and the "Odyssey" cast into oblivion whatever pre-Homeric poets had essayed, so these same qualities exercised a paralysing influence over the successors of Homer.  If they continued to sing like their great predecessor of romantic themes, they were drawn as by a kind of magnetic attraction into the Homeric style and manner of treatment, and became mere echoes of the Homeric voice: in a word, Homer had so completely exhausted the epic genre, that after him further efforts were doomed to be merely conventional.  Only the rare and exceptional genius of Vergil and Milton could use the Homeric medium without loss of individuality: and this quality none of the later epic poets seem to have possessed.  Freedom from the domination of the great tradition could only be found by seeking new subjects, and such freedom was really only illusionary, since romantic subjects alone are suitable for epic treatment.   In its third period, therefore, epic poetry shows two divergent tendencies.  In Ionia and the islands the epic poets followed the Homeric tradition, singing of romantic subjects in the now stereotyped heroic style, and showing originality only in their choice of legends hitherto neglected or summarily and imperfectly treated.  In continental...