Creating Distinctions in Dutch Genre Painting

Repetition and Invention
0. Auflage 2017
ISBN: 978-94-6298-297-0
Verlag: Amsterdam University Press

Buch, Englisch, 254 Seiten, Format (B × H): 179 mm x 248 mm, Gewicht: 812 g

Reihe: Visual and Material Culture, 1300-1700

In the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers. Angela Ho shows how Dutch painters in the mid- to late 17th century used repetition to project a distinctive artistic personality.

Zielgruppe

Academic

Autoren/Hrsg.

Ho, Angela

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Barock, Klassizismus

Inhaltsverzeichnis

List of Illustrations, Acknowledgments, Introduction, 1. Key Concepts, 2. A Niche of One’s Own: Gerrit Dou’s Brand-Building Project, 3. The Pleasure of Novelty: Gerard ter Borch’s Innovation, 4. Invention through Repetition: Imitation and Emulation in the Work of Frans van Mieris, Epilogue: On Signature Products, Knock-Offs, and Product Lines, Notes, Bibliography, Index

Über Autor(innen)

Angela K. Ho is Assistant Professor of Art History at George Mason University, USA.