Buch, Englisch, 260 Seiten, Format (B × H): 242 mm x 164 mm, Gewicht: 535 g
Reihe: Film Culture in Transition
Buch, Englisch, 260 Seiten, Format (B × H): 242 mm x 164 mm, Gewicht: 535 g
Reihe: Film Culture in Transition
ISBN: 978-94-6298-077-8
Verlag: Amsterdam University Press
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.
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Weitere Infos & Material
Chapter 1: Introduction Chapter 2: Cinema in the Interstices Chapter 3: Narrative Ambiguity in the Classical Cinema Chapter 4: Modern(ist) Cinema: Logic of the Encounter Chapter 5: Towards the Embodied Fabula Chapter 6: The Complexity of Complex Narratives Chapter 7: Memento and the Embodied Fabula Chapter 8: Conclusions
