From Metaphysics to Culture

Music as a Factor in the Emergence of Modern Psychology, 1750-1900
Erscheinungsjahr 2025
ISBN: 978-3-031-89594-4
Verlag: Springer Nature Switzerland

Buch, Englisch, 209 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 510 g

Reihe: Theory and History in the Human and Social Sciences

This book is a follow-up to the book (Springer 2020). In contrast, this new book covers the period 1750-1900. Whereas the previous book focused on how psychology intervened in philosophy and theology, the perspective now is how philosophy and psychology tried to free themselves from each other. Kant’s critical project formed an important start on this. Nevertheless, this was a struggle during the whole period, with a culmination at the end of the 19th century. When experimental psychology was established in Leipzig, psychology became regarded as an independent science. Another aspect of this new project is to pursue how experimental psychology ended up with music and culture as important factors. These are highly related to the role of sensation in psychology, which influenced how Baumgarten turned the psychological project into aesthetics in 1750. Thus, psychology in dialogue with music and aesthetics forms the red thread in this book. This book targets all interested in the history of psychology.

Zielgruppe

Research

Autoren/Hrsg.

Klempe, Sven Hroar

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologie: Allgemeines
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden

Inhaltsverzeichnis

Chapter 1. Introduction.- Chapter 2. From Numbers to Sensation.- Chapter 3. Psychology Consolidates Itself in Metaphysics.- Chapter 4. Empirical Psychology is Banned from Metaphysics –Immanuel Kant.- Chapter 5. Mathematics and Music as Fundamental Processes of the Mind – Johann Friedrich Herbart.- Chapter 6. Psychology at the Core of Existence – Søren Kierkegaard.- Chapter 7. Music as the Direct Factor – Gustav Theodor Fechner.- Chapter 8. Wilhelm Wundt and Experimental Psychology.- Chapter 9. The Cultural Psychology of Wilhelm Wundt.

Über Autor(innen)

Sven Hroar Klempe (Mag.art., Dr.art.) is Professor emeritus in Psychology at the Department of Psychology, Norwegian University of Science and Technology (NTNU), Trondheim, Norway. His background includes Professor in Musicology, Assoc. Prof. in Media Studies, teacher and journalist. His research is cross-disciplinary with an emphasis on the history of psychology, culture and psychology, theory of science, communication and music psychology.