Shakespeare and the Materiality of Performance

2012. Auflage 2012
ISBN: 978-1-137-00106-1
Verlag: Palgrave MacMillan Us

Buch, Englisch, 238 Seiten, Format (B × H): 150 mm x 236 mm, Gewicht: 499 g

Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.

Zielgruppe

Research

Autoren/Hrsg.

Lin, E.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter

Inhaltsverzeichnis

PART I: PERFORMANCE EFFECTS Introduction: Materializing the Immaterial Theorizing Theatrical Privilege: Rethinking Weimann's Concepts of Locus and Platea PART II: THEATRICAL WAYS OF KNOWING Staging Sight: Visual Paradigms and Perceptual Strategies in Love's Labor's Lost Imaginary Forces: Allegory, Mimesis, and Audience Interpretation in The Spanish Tragedy PART III: EXPERIENCING EMBODIED SPECTACLE Dancing and Other Delights: Spectacle and Participation in Doctor Faustus and Macbeth Artful Sport: Violence, Dismemberment, and Games in Titus Andronicus, Cymbeline, and Doctor Faustus

Über Autor(innen)

Erika T. Lin is Associate Professor in the Ph.D. Program in Theatre at the Graduate Center, The City University of New York, USA