Buch, Englisch, 216 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 431 g
Buch, Englisch, 216 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 431 g
ISBN: 978-1-4214-0998-6
Verlag: Johns Hopkins University Press
Important revisions to the history of advertising and its connection to Romantic-era literature.
Outstanding Academic Title, Choice
Literary Advertising and the Shaping of British Romanticism investigates the entwined histories of the advertising industry and the gradual commodification of literature over the course of the Romantic Century (1750–1850). In this engaging and detailed study, Nicholas Mason argues that the seemingly antagonistic arenas of marketing and literature share a common genealogy and, in many instances, even a symbiotic relationship.
Drawing from archival materials such as publishers' account books, merchants' trade cards, and authors' letters, Mason traces the beginnings of many familiar modern advertising methods—including product placement, limited-time offers, and journalistic puffery—to the British book trade during the eighteenth and nineteenth centuries. Until now, Romantic scholars have not fully recognized advertising’s cultural significance or the importance of this period in the origins of modern advertising. Mason explores Lord Byron’s appropriation of branding, Letitia Elizabeth Landon’s experiments in visual marketing, and late-Romantic debates over advertising's claim to be a new branch of the literary arts. Mason uses the antics of Romantic-era advertising to illustrate the profound implications of commercial modernity, both in economic practices governing the book trade and, more broadly, in the development of the modern idea of literature.
Mason
Literary Advertising and the Shaping of British Romanticism jetzt bestellen!
Outstanding Academic Title, Choice
Literary Advertising and the Shaping of British Romanticism investigates the entwined histories of the advertising industry and the gradual commodification of literature over the course of the Romantic Century (1750–1850). In this engaging and detailed study, Nicholas Mason argues that the seemingly antagonistic arenas of marketing and literature share a common genealogy and, in many instances, even a symbiotic relationship.
Drawing from archival materials such as publishers' account books, merchants' trade cards, and authors' letters, Mason traces the beginnings of many familiar modern advertising methods—including product placement, limited-time offers, and journalistic puffery—to the British book trade during the eighteenth and nineteenth centuries. Until now, Romantic scholars have not fully recognized advertising’s cultural significance or the importance of this period in the origins of modern advertising. Mason explores Lord Byron’s appropriation of branding, Letitia Elizabeth Landon’s experiments in visual marketing, and late-Romantic debates over advertising's claim to be a new branch of the literary arts. Mason uses the antics of Romantic-era advertising to illustrate the profound implications of commercial modernity, both in economic practices governing the book trade and, more broadly, in the development of the modern idea of literature.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Acknowledgments
Introduction: Entangled Histories
1. Advertising in the Romantic Century
2. The Progress of Puffery
3. Building Brand Byron
4. L.E.L., Bandwagon Marketing, and the Rise of Visual Culture
5. Puffery and the "Death" of Literature in Late-Romantic Britain
Conclusion: The Art of Advertising
Notes
Bibliography
Index
Bitte ändern Sie das Passwort
