Modest / Pels | Museum Temporalities | Buch | 978-1-350-10314-6 | sack.de

Buch, Englisch, 256 Seiten, Format (B × H): 156 mm x 233 mm, Gewicht: 453 g

Reihe: Routledge Studies in Anthropology and Museums

Modest / Pels

Museum Temporalities

Time, History and the Future of the Ethnographic Museum
1. Auflage 2025
ISBN: 978-1-350-10314-6
Verlag: Taylor & Francis

Time, History and the Future of the Ethnographic Museum

Buch, Englisch, 256 Seiten, Format (B × H): 156 mm x 233 mm, Gewicht: 453 g

Reihe: Routledge Studies in Anthropology and Museums

ISBN: 978-1-350-10314-6
Verlag: Taylor & Francis


Museum Temporalities analyzes how museums relate to time. It explores the hidden temporal assumptions and practices that define museums. How might these assumptions help us to better understand and address museums’ often problematic and painful relationship to a colonial past? Since the nineteenth century, the globalization of the museum has spread specific understandings of permanence and temporariness that inform museum display, separated the modern from the traditional, and promoted preservation and development in ways that tacitly assume a North Atlantic cultural outlook as the end point of history and the standard that determines a hierarchy of science, art, technology, craft and natural history. Questioning linear and epochal genealogies that assume Enlightenment surveys of the classifiable universe as the origin of the museum, Modest and Pels present evidence that global exhibitionary complexes will fail to sufficiently address questions of decolonization and restitution if they do not make room for the ethnographic museum as a principal site where suggestions for the future of all museums can be generated. They show that any attempt to address the problematic and painful relationship that museums have to colonial pasts requires them to reorient their relationship to time. The volume assembles building blocks for a theory and practice of museums that no longer assumes the need for identities, objects and collections to be permanent, for the museum to be the end-point of knowledge, and for ‘art’ or ‘science’ to be the universal measure to which other forms of cultural production can only aspire. This path-breaking collection centralizes and develops current concerns in critical museology and is valuable reading for scholars and students of museum studies, anthropology, heritage studies, and material culture.

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Postgraduate


Autoren/Hrsg.


Weitere Infos & Material


Foreword: Time, Temporality, and Objects Introduction: Time of and for the Museum  Part One: Anxious Times 1. Time is not What it Used to Be: Towards an Anthropology of Time for Museums  2. Material Culture and Transience  3. Playing with Time in the 19th-century Art Museum  4. Anxiety and Possibility: Preliminary sketches on museums and carnival time  Part Two: Time Otherwise  5. “Another part of the circle”: Indigenous temporalities in and out of Canada’s art (hi)story 6. Time and Indigeneity in Museum Practice: Curating Indigenous Contemporary Cultures and Arts in Mexico 7. Limbo Time: Museums, Caribbean Temporality, and the Wounds of History  Part Three: Conservation Time  8. Stockpiling the Past for an Unpredictable Future. Techniques of Preparedness in Anthropology Museums 9. Thinking through a Lens of Impermanence  Part Four: Exhibition Time  10. Dreamtime and Disintegration: Contemporary Art and the Ethnographic Museum 11. The Porcupine of Time: Mediating and Managing Multiple Temporalities in Exhibitions 12. Materializing History: Time and Telos at POLIN Museum of the History of Polish Jews Epilogue: The Futures of the (Ethnographic) Museum. Index


Wayne Modest is Director of Content of the Wereldmuseum in the Netherlands, and Head of its Research Center for Material Culture. He is also a Professor in the Faculty of Humanities at the Vrije Universiteit Amsterdam, the Netherlands.

Peter Pels is Professor of Anthropology and Sociology of Africa at Leiden University, the Netherlands.



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