E-Book, Englisch, 170 Seiten
Muchnik The Strategic Producer
Erscheinungsjahr 2016
ISBN: 978-1-317-30187-5
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
On the Art and Craft of Making Your First Feature
E-Book, Englisch, 170 Seiten
ISBN: 978-1-317-30187-5
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Today’s technologies and economic models won’t settle for a conventional approach to filmmaking. The Strategic Producer: On the Art and Craft of Making Your First Feature combines history, technology, aesthetics, data, decision-making strategies, and time-tested methods into a powerful new approach to producing. An ideal text for aspiring filmmakers, The Strategic Producer orients the reader’s mind-set towards self-empowerment by sharing essential and timeless techniques producers need to get the job done while also embracing the constantly evolving production landscape.
- Written in clear, succinct, and non-technical prose.
- Includes six sidebar in depth interviews with industry professionals providing additional perspectives.
- Clearly presented line drawings help readers quickly understand complex ideas like production timelines, story structure, and business models.
- Includes samples from key documents such as script pages, budgets, shooting schedules, and business plans for potential investors.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
PART 1: BACK STORY
Chapter 1: History
Chapter 2: Story
2.1: The Artistic Impulse
2.2: Why Stories
2.3: Oral to Visual Storytelling
Chapter 3: Working the Material
3.1: Suspension of Disbelief
3.2: Character
3.3: Suspense, surprise, and mystery
3.4: Originality
Chapter 4: Writing the Script
4.1: Elements and Structure of the Script
4.2: Style
PART 2: GETTING TO WORK
Chapter 5: Development
SIDEBAR: Interview with Piotr Reisch, Producer
Chapter 6: Money
6.1: The Producer - Investor Relationship
6.2: What do investors want?
6.3: The Business Entity
6.4: Investor Sources
6.5: Your Money
6.6: No Budget Filmmaking and the Compilation Film
Chapter 7: Preproduction
SIDEBAR: Interview with Brian Falk, Producer
7.1: The Casting Session
7.2: Location Scouting
7.3: Shooting On A Soundstage
7.4: Hiring People
SIDEBAR: Interview with Michael Bowes, Producer
7.5: Budget
7.6: Scheduling
Chapter 8: Production
8.1: Camera Setups & Block/Light/Shoot
8.2: Directing Actors
8.3: Working with the Crew
8.4: Meals & Breaks
8.5: Common Problems
8.6: End of Production
Chapter 9: Post-production
9.1: Workflow and Story Structure
SIDEBAR: Interview with Anne McCabe, A.C.E., Editor
9.2: Test Screenings and Finishing the Film
9.3: Deliverables
Chapter 10: The Marketplace(s). History, Deal Structures, Distribution, Exhibition, & Film Festivals
10.1: What Distributors Want
10.2: Deal Structures
SIDEBAR: Interview with Francois Yon, distributor
10.3: Film Festivals
SIDEBAR: Interview with Larry Jackson, producer’s rep.
10.4: The Larger Distribution Landscape
10.5: In Closing
APPENDIX: THE BUSINESS PLAN