Buch, Englisch, 318 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 553 g
Verbal Arts, Song-Poetry, and Performance
Buch, Englisch, 318 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 553 g
Reihe: African Histories and Modernities
ISBN: 978-3-031-15616-8
Verlag: Springer International Publishing
This book explores the “battles” of words, songs, poetry, and performance in Africa and the African Diaspora. These are usually highly competitive, artistic contests in which rival parties duel for supremacy in poetry composition and/or its performance. This volume covers the history of this battle tradition, from its origins in Africa, especially the udje and halo of the Urhobo and Ewe respectively, to its transportation to the Americas and the Caribbean region during the Atlantic slave trade period, and its modern and contemporary manifestations as battle rap or other forms of popular music in Africa. Almost everywhere there are contemporary manifestations of the more traditional, older genres. The book is thus made up of studies of contests in which rivals duel for supremacy in verbal arts, song-poetry, and performance as they display their wit, sense of humor, and poetic expertise.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Afrikanische Literaturen
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter
Weitere Infos & Material
1. Introduction: African Battle Traditions of Insult: Verbal Arts, Song-Poetry, and Performance—Tanure Ojaide.- Part I: African Origins.- 2. Battle by All Means: UrhoboUdje Song-Poetry and Performance—Tanure Ojaide.- 3. Halo: Music Text, Songs and Dance Performances in Ewe Folklore and Tradition—Honore Missihoun.- 4. Autobiographical Verbal Duels in Yoruba Polygamous Households—Adetayo Alabi.- 5. Shairiand Malumbano: The Tradition of Verbal Warfare in Swahili Literature—Mwenda Mbatiah.- 6. The Moral Authority of Battle Songs from Zimbabwe’s Shona Cultures: Context, Performance, and Audience of an Indigenous Knowledge System—Beauty Vambe.- Part II: Diaspora Manifestations.- 7. African-American Dozens—Michele Randolph and Maliek Lewis.- 8. Greek Letter Organization Step Show—Debra Smith.- 9. Battle Rap: An Exploration of Competitive Rhyming in Hip Hop —Matthew Oware.- 10. Fighting Words: Songs of Conflict,Censure, and Cussout in Trinidad and Tobago Carnival—Funso Aiyejina.- 11. “Oral Tradition and Cultures in Dialogue: OndjangoAngolano and Jongo da Serrinha”— Tonia Leigh Wind.- 12. “Stanzas and Sticks: Poetic and Physical Challenges in the Afro-Brazilian Culture of the Paraiba Valley, Rio de Janeiro”—Matthias RohrigAssuncao.- Part III: New Transformations.- 13. The Origin, Nature, Function, and Significance of Yabis—Enajite Eseoghene Ojaruega. 14. Epistemic Recuperation and Contemporary Reconfiguration of the Verbal Battle Tradition in the Poetry of Kofi Anyidoho and Tanure Ojaide—Mathias IroroOrhero.- 15. Battle Songs as UtaneMiseve: Contestations over Political Power in Post 2017 Military Coup in Zimbabwe—Maurice TaonezviVambe.- 16. The source and nature of Bragging in Bongo fleva in Tanzania—Dunlop Ochieng.