Shakespeare and the Imprints of Performance

1. Auflage 2014
ISBN: 978-1-349-49393-7
Verlag: Palgrave Macmillan US

Buch, Englisch, 226 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 3212 g

Reihe: History of Text Technologies

Within the study of drama, the question of how to relate text and performance—and what interpretive tools are best suited to analyzing them—is a longstanding and contentious one. Most scholars agree that reading a printed play is a means of dramatic realization absolutely unlike live performance, but everything else beyond this premise is contestable: how much authority to assign to playwrights, the extent to which texts and readings determine performance, and the capability of printed plays to communicate the possibilities of performance. Without denying that printed plays distort and fragment performance practice, this book negotiates an intractable debate by shifting attention to the ways in which these inevitable distortions can nevertheless enrich a reader's awareness of a play's performance potentialities. As author J. Gavin Paul demonstrates, printed plays can be more meaningfully engaged with actual performance than is typically assumed, via specific editorial principles andstrategies. Focusing on the long history of Shakespearean editing, he develops the concept of the performancescape: a textual representation of performance potential that gives relative shape and stability to what is dynamic and multifarious.

Zielgruppe

Research

Autoren/Hrsg.

Paul, J. Gavin

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Prologue: Prospero's Storm 1. Mediating Page and Stage 2. Text and Performance on the Early Modern Page 3. Performance and the Editorial Tradition 4. Performance Commentary: Writing in the Sand 5. The Critical Edition as Archive Epilogue: Prospero's Bands

Über Autor(innen)

J. Gavin Paul is a Visiting Assistant Professor at Simon Fraser University, Canada. His work has appeared in , , and other publications, and his doctoral dissertation won the prestigious J. Leeds Barroll Prize from the Shakespeare Association of America in 2009.