Pelzer-Montada / Unknown Perspectives on contemporary printmaking

Critical writing since 1986
1. Auflage 2020
ISBN: 978-1-5261-5366-1
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 368 Seiten

The anthology provides a critical topography of printmaking since the mid-1980s. Its texts, by well-known authors as well as ‘insiders’, span different formats and critical and theoretical approaches.

Autoren/Hrsg.

Unknown,

Pelzer-Montada, Ruth

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Druck und Drucken
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttechniken & Prinzipien

Inhaltsverzeichnis

Introduction
Part I: Genealogy
Beat Wyss – Fragments for an art history of media: electr(on)ic thinking (1997)
Ernst Rebel – The technical gaze: the parallel world of photography (2003)
Frances Robertson – Post-print culture? (2013)
Part II: Debates
Ruth Weisberg – The syntax of the print: in search of an aesthetic context (1986)
Richard S. Field – Sentences on printed art (1994)
Kathryn Reeves – The re-vision of printmaking (1999)
Andrzrej Bednarczyk – The shape of graphic art (2010)
José Roca – The graphic unconscious or the how and why of a print triennial (2011)
Richard Harding – Print as other: the future is queer (2013)
Barbara Balfour – The what and the why of print (2016)
Part III: Keywords
Ernst Rebel – Coordinates of a history of the technical image (2003)
Susan Lambert – The status of the reproduction (1988)
Clare Humphries – Benjamin’s blindspot: aura and reproduction in the post-print age (2015)
K. E. Gover – Are all multiples the same? The problematic nature of the limited edition (2015)
Frieder Nake – Printing plates and pixel matrix: the mechanisation of memory (2010)
Georges Didi-Huberman – Opening up an anachronistic point of view (1997)
Deirdre Brollo – Untying the knot: memory and forgetting in contemporary print work (2013)
Yara Flores – Spirit duplication (2010)
Catherine Brooks – Three ways to use yellow (2014)
Amze Emmons, R.L. Tillman and Jason Urban – On the manual (In the manual) (2014)
Nicky Coutts – Animal print suicide (2014)
Part IV: The field
Daniel F. Herrmann – Edinburgh Printmakers and the notion of the workshop (2007)
Jeremy Lewison – Projects and portfolios: narrative and structure (1995)
Gill Saunders – Lasting impressions? A museum perspective on digital fine art printmaking (2009)
Sheryl Conkelton – Print and the public sphere (2011)
Johanna Drucker – The work event: art in the distributed field and systems of production (2013)
Eric Triantafillou – All the instruments agree (2010)
Mari Carmen Ramírez – Stamping (molding) marks: the San Juan Triennial tracking the new century (2004)
Shang Hui – Chinese printmaking in the twenty-first century: new horizons and energies (2011)
Matthew Perkins – What is ’studio’ in the post-disciplinary age? (2011)
Amanda Thomson – Making a place: art and a multi-modal, multi-disciplinary approach (2014)
R. L. Tillman – Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014)
Index

Über Autor(innen)

Ruth Pelzer-Montada is an artist and Lecturer in Contemporary Art and Visual Culture at Edinburgh College of Art, The University of Edinburgh