Buch, Englisch, 1448 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 2742 g
Buch, Englisch, 1448 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 2742 g
Reihe: Critical Concepts in Sociology
ISBN: 978-1-138-68160-6
Verlag: Routledge
This collection aims to bring together writings that trace and critically analyse Islamic aspects of many modern-day popular cultural practices and products. The concepts of 'Islam' and 'popular culture' are both contested and context-dependent, and as such, they are understood here on inclusive, rather than exclusive, terms. Islam and Popular Culture provides an authoritative reference work that makes sense of a vast and growing literature, and is an essential resource for advanced students, scholars and researchers interested in gaining a thorough understanding of this topic.
Autoren/Hrsg.
Weitere Infos & Material
Volume 1 – Popular Culture forms produced in Muslim contexts
Anna Piela, Introduction
1. Mark Sedgwick, ‘Islam and Popular Culture’ in Jeffrey T. Kenney and Ebrahim Moosa (eds.) Islam in the Modern World (Abingdon: Routledge, 2014), pp. 279-297.
2. Umut Azak, ‘The New Happy Child in Islamic Picture Books in Turkey’, in Christiane Gruber and Sune Haugbolle (eds.), Visual Culture in the Modern Middle East: Rhetoric of the Image (Bloomington, IN: Indiana University Press, 2013), pp. 127-143.
3. Alexandra Buccianti, ‘Dubbed Turkish Soap Operas Conquering the Arab World: Social Liberation or Cultural Alienation?’ Arab Media & Society, 10, 2010, np.
4. Maria Curtis, ‘"I Have a Voice": Despatialization, Multiple Alterities and the Digital Performance of Jbala Women of Northern Morocco’, Hawwa: Journal of Women of the Middle East and the Islamic World, 13, 3, 2015, pp. 323-343.
5. Yehoshua Frenkel, ‘Popular Culture (Islam, Early and Middle Periods)’, Religion Compass, 2, 2, 2008, pp. 1 - 31.
6. Myria Georgiou, ‘Watching Soap Opera in the Diaspora: Cultural Proximity or Critical Proximity?’, Ethnic and Racial Studies, 35, 5, 2012, pp. 868-887.
7. James B. Hoesterey and Marshall Clark, 'Film Islami: Gender, Piety and Pop Culture in Post-Authoritarian Indonesia', Asian Studies Review, 36, 2, pp. 207-226.
8. Mark LeVine, 'Heavy Metal Muslims: the Rise of a Post-Islamist Public Sphere', Contemporary Islam, 2, 3, 2008, pp. 229-249.
9. Ulrich Marzolph, ‘The Martyr’s Fading Body: Propaganda vs. Beautification in the Tehran Cityscape’ in Christiane Gruber and Sune Haugbolle (eds.), Visual Culture in the Modern Middle East: Rhetoric of the Image (Bloomington, IN: Indiana University Press, 2013), pp. 164-185.
10. Yasmin Moll, ‘"Beyond Beards, Scarves and Halal Meat": Mediated Constructions of British Muslim Identity’, Journal of Religion and Popular Culture, 15, 1, 2007, np.
11. Nima Naghibi and Andrew O’Malley, ‘Estranging the Familiar: "East" and "West" in Satrapi’s Persepolis’, English Studies in Canada, 31, 2-3, 2005, pp. 223-248.
12. Karin van Nieuwkerk, ‘Repentant’ Artists in Egypt: Debating Gender, Performing Arts and Religion’, Contemporary Islam, 2, 3, 2008, pp. 191-210.
13. Nacim Pak-Shiraz, ‘Contemporary Iranian Discourses on Religion and Spirituality in Cinema’ in Shi’i Islam in Iranian Cinema: Religion and Spirituality in Film (London: I. B. Tauris, 2011), pp. 35-66.
14. Boaz Shoshan, ‘High Culture and Popular Culture in Medieval Islam’, Studia Islamica, 73, 1991, pp. 67-107.
15. Kevin Smets, 'Connecting Islam and film culture: The reception of The Message (Ar Risalah) among the Moroccan diaspora', Participations: Journal of Audience and Reception Studies, 9, 1, 2012, pp. 68-94.
16. Helga Tawil Souri, 'The Political Battlefield of Pro-Arab Video Games on Palestinian Screens', Comparative Studies of South Asia, Africa and the Middle East, 27, 3, 2007, pp. 536-551.
17. Aslihan Tokgöz Onaran, 'Counterpatriarchal Pleasures of Muslim Turkish Women: A Feminist Ethnography of Rural Women Watching Daytime Television', Journal of Women of the Middle East and the Islamic World 9, 1, 2011, pp. 171–193.
18. John Vanderlippe and Pinar Batur, ‘Blasphemy and Critique?: Secularists and Islamists in Turkish Cartoon Images’ in Christiane Gruber and Sune Haugbolle (eds.), Visual Culture in the Modern Middle East: Rhetoric of the Image (Bloomington, IN: Indiana University Press, 2013), pp. 215-230.
19. Ahu Yigit, ‘Islamic Modernity and the Re-enchanging Power of Symbols in Islamic Fantasy Serials in Turkey’ in Karin van Nieuwkerk (ed.), Muslim Rap, Halal Soaps and Revolutionary Theater: Artistic Developments in the Muslim World (Austin, TX: University of Texas Press), pp. 207-229.
Volume 2: Islamic networks and identities
20. Donya Alinejad, ‘Mapping Homelands through Virtual Spaces: Transnational Embodiment and
Iranian Diaspora Bloggers’, Global Networks, 11, 1, 2011, pp. 43–62.
21. Masserat Amir-Ebrahimi, ‘Blogging from Qom, behind Walls and Veils’, Comparative Studies of South Asia, Africa and the Middle East, 28, 2, 2008, pp. 235-249.
22. Ehab Galal, ‘The Muslim Woman as a Beauty Queen’, Journal of Arab and Muslim Media Research, 3, 3, 2010, pp. 159-178.
23. Maruta Herding, ‘The Borders of Virtual Space: New Information Technologies and European Islamic Youth Culture’, Journal of Postcolonial Writing, 49, 5, 2013, pp. 552-564.
24. Linda Herrera, ‘Young Egyptians’ Quest for Jobs and Justice’ in Asef Bayat and Linda Herrera (eds.) Being Young and Muslim: New Cultural Politics in the Global South and North (New York: Oxford University Press, 2010), pp. 127-144.
25. Sahar Khamis, ‘Islamic Feminism in New Arab Media – Platforms for Self-Expression and Sites for Multiple Resistances’, Journal of Arab and Muslim Media Research, 3, 3, 2010, pp. 237-255.
26. Melissa Y. Lerner, 'Connecting the Actual with the Virtual: The Internet and Social Movement Theory in the Muslim World—The Cases of Iran and Egypt', Journal of Muslim Minority Affairs 30, 4, 2010, pp. 555-574.
27. Effat Merghati Khoei, Anna Whelan and Jeffrey Cohen, ‘Sharing Beliefs: What Sexuality Means to Muslim Iranian Women Living in Australia’, Culture, Health and Sexuality, 10, 3, 2008, pp. 237–248.
28. Sima Limoochi and Jill M. Le Clair, ‘Reflections on the participation of Muslim women in disability sport: hijab, Burkini®, modesty and changing strategies’, Sport in Society, 14, 9, 2011, pp. 1300-1309.
29. Sunaina Maira, ‘Youth Culture, Citizenship and Globalization: South Asian Muslim Youth in the United States after September 11th’, Comparative Studies of South Asia, Africa and the Middle East, 24, 1, pp. 219-231.
30. Smeeta Mishra and Gaby Semaan, ‘Islam in Cyberspace: South Asian Muslims in America Log In’, Journal of Broadcasting and Electronic Media, 54, 1, 2010, pp. 87–101.
31. Mark A. Peterson ‘The Jinn and the Computer: Consumption and Identity in Arabic Children’s Magazines’, Childhood, 12, 2, 2005, pp. 177-200.
32. Samaya Farooq Samie, ‘Hetero-Sexy Self/Body Work and Basketball: The Invisible Sporting Women of British Pakistani Muslim Heritage’, South Asian Popular Culture, 11, 3, 2013, pp. 257-270.
33. Dervla Sara Shannahan, ‘Textual Queerings: Contesting Islam as Heteronormative Inheritance’ in Andrew Yip (ed.) The Ashgate Research Companion to Contemporary Religion and Sexuality (Abingdon: Routledge, 2016), pp. 107-121.
34. Benjamin F. Soares, ‘"Rasta" Sufis and Muslim Youth Culture in Mali’ in Asef Bayat and Linda Herrera (eds) Being Young and Muslim: New Cultural Politics in the Global South and North (New York: Oxford University Press, 2010), pp. 241-258.
35. Emma Tarlo, ‘Hijab Online’, Interventions, 12, 2, 2010, pp. 209-225.
36. Liesbet van Zoonen, Farida Vis and Sabina Mihelj, ‘YouTube Interactions between Agonism, Antagonism and Dialogue: Video Responses to the Anti-Islam Film Fitna’, New Media and Society, 13, 8, 2011, pp. 1283-1300.
Volume 3: Halal lifestyles
37. Heather Marie Akou, ‘Building a New "World Fashion": Islamic Dress in the Twenty First Century’, Fashion Theory, 11, 4, 2007, pp. 403-422.
38. Baker Ahmad Alserhan, ‘Islamic Branding: A Conceptualization of Related Terms’, Brand Management, 18, 1, 2010, pp. 34–49.
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