Buch, Englisch, 148 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 212 g
Reihe: New Directions in Irish and Irish American Literature
'Into the Light'
Buch, Englisch, 148 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 212 g
Reihe: New Directions in Irish and Irish American Literature
ISBN: 978-3-030-98948-4
Verlag: Springer International Publishing
Constitutions of Self in Contemporary Irish Poetry explores the figure of the lyrical self in the work of six contemporary Irish poets: Paul Muldoon, Vona Groarke, Sinéad Morrissey, Caitríona O’Reilly, Alan Gillis and Nick Laird. By focusing on the self, this study offers the first sustained exploration of what is arguably one of the most distinctive features of Irish poetry. Readings utilise the latest theories of the lyric filtered through the work of such philosophers as Jacques Derrida, Umberto Eco, Slavoj Žižek, Giorgio Agamben and Zygmunt Bauman, and connect an interdisciplinary approach with attention to the operations of the poetic text to bring out aspects of the self in Irish writing that have been given only cursory critical attention so far.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder England, UK, Irland: Regional & Stadtgeschichte
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
Weitere Infos & Material
Introduction: Preservation of the Other in Contemporary Irish Poetry.- Chapter 1. Between Detection and Deception: Paul Muldoon’s Why Brownlee Left. - Chapter 2. Framing Potentiality: Vona Groarke’s Four Sides Full and X.- Chapter 3. ‘Lady Other, Lady Mine’: Freedom of the Materialist self in Sinéad Morrissey’s Parallax.- Chapter 4. Poetry as Endurance: Caitríona O’Reilly’s Geis. - Chapter 5. “Flurred and Flummoxed but Unbleared”: The restoration of the self and the experience of language in Alan Gillis’s Scapegoat.- Chapter 6. ‘The Miraculous Flesh’ of the Everyday Giants: Nick Laird’s Go Giants.