Psychoanalysis and Ethics in Documentary Film

2. Auflage 2023
ISBN: 978-1-032-33557-5
Verlag: Routledge

Buch, Englisch, 290 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 605 g

This distinctively interdisciplinary book draws upon psychoanalytic theory to explore how expectations, desires and fears of documentary subjects and filmmakers are engaged, and the ethical issues that can arise as a result.

Original and accessible, the second edition of this ground-breaking book addresses the four fundamental concepts of psychoanalysis and documentary film, reviews documentary film practice as a field, provides a personal account of the author’s relationship with a subject of her own work, and presents a thorough interrogation of the ethics of documentary. The updated text includes a new introduction by the author and an additional chapter ‘Stories We Tell’ by Sarah Polley, centered on ethics and the role of the filmmaker in relation to her participants.

Psychoanalysis and Ethics in Documentary Film, 2nd revised edition has already been used widely and is crucial reading for film studies scholars, psychoanalysts, psychotherapists and psychotherapeutically engaged professionals, as well as filmmakers, culture studies students and anyone interested in the process of documentary-making and contemporary culture.

Zielgruppe

Postgraduate, Professional, and Undergraduate

Autoren/Hrsg.

Piotrowska, Agnieszka

Fachgebiete

• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologische Theorie, Psychoanalyse Psychoanalyse (S. Freud)
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

Introduction 1. Cinema and Psychoanalysis: A Brief Overview 2. Four Fundamental Concepts of Psychoanalysis and Documentary Film 3. Documentary Film: A Discourse of Desire 4. Documentary as Interpellation 5. The Conman and I: A Study in Transference 6. The Ethics of Documentary 7. The Ethics - What Ethics? 8. The Horror of the Doppelganger 9. Filmmaker as Deceiver in Stories We Tell 10. Final Concluding Remarks

Über Autor(innen)

Agnieszka Piotrowska, Ph.D., is an award-winning BBC-trained filmmaker and a theorist. She the Reader in film at SODA, Manchester School of Art, Manchester Metropolitan University, UK and a visiting professor in Film and Cultural Studies at the University of Gdansk, Poland. She is the former head of the School for Film, Media, and the Performing Arts at the University for the Creative Arts. She is a member of the General Council of the Visible Evidence network and was the Director of the Visible Evidence conference at the University of Gdansk, Poland in 2022.