Firestorm - American Film in the Age of Terrorism

Erscheinungsjahr 2013
ISBN: 978-0-231-14870-2
Verlag: Columbia University Press

Buch, Englisch, 400 Seiten, Format (B × H): 153 mm x 235 mm, Gewicht: 680 g

It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy?

Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.

Autoren/Hrsg.

Prince, Stephen

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Politische Gewalt Terrorismus, Religiöser Fundamentalismus
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte

Inhaltsverzeichnis

AcknowledgmentsIntroduction1. Theater of Mass Destruction2. Shadows Once Removed3. Ground Zero in Focus4. Battleground Iraq 5. Terrorism on the Small Screen 6. No End in Sight Appendix 1: Historical TimelineAppendix 2: FilmographyNotesBibliographyIndex

Über Autor(innen)

Stephen Prince is a professor of cinema at Virginia Tech, teaching film history, criticism, and theory. He is the author of numerous books, including Classical Film Violence, Movies and Meaning: An Introduction to Film, The Warrior's Camera: The Cinema of Akira Kurosawa, and Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.