Undead

(Inter)(in)animation, Feminisms, and the Art of War
1. Auflage 2025
ISBN: 978-0-520-38626-6
Verlag: University of California Press

Buch, Englisch, Band 9, 252 Seiten, Trade Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 408 g

Reihe: Feminist Media Histories

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.

Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of “(inter)(in)animation” generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Maryam Mohajer, Ibrahim Nasrallah, and Mary Reid Kelley and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.

Autoren/Hrsg.

Redrobe, Karen

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Animationsfilme, Zeichentrickfilme

Über Autor(innen)

Karen Redrobe is Elliot and Roslyn Jaffe Professor of Cinema and Media Studies at the University of Pennsylvania. She is author of Vanishing Women: Magic, Film, and Feminism and Crash: Cinema and the Politics of Speed and Stasis.