Buch, Englisch, 276 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 670 g
The Dramatic Canon of William Shakespeare
Buch, Englisch, 276 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 670 g
Reihe: Routledge Studies in Shakespeare
ISBN: 978-1-041-13399-5
Verlag: Taylor & Francis
This timely monograph explores the critical, yet often overlooked, role of genre in non-traditional authorship attribution studies. Drawing from linguistics, rhetoric, stylistics, forensic linguistics, and computational methods –including large language models (LLMs) – this book argues that genre must be treated as a central variable in any credible attribution analysis. Across domains from Shakespearean drama to courtroom linguistics, the book highlights how failing to control for genre risks undermines both results and credibility. It challenges the extremes of current thinking – whether genre dominates authorship or is eclipsed by it – by examining the vast and complex gray area between these poles. With case studies, critical commentary, and a detailed appendix cataloging over 120 stylistic markers across genres and authors, this work provides a robust resource for scholars, digital humanists, forensic linguists, and anyone invested in the integrity of authorship studies. It also offers an accessible introduction to the promises and pitfalls of LLMs in this evolving field. This volume is essential reading for both practitioners and consumers of attribution research.
Zielgruppe
Academic and Postgraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Sprachwissenschaft Historische & Vergleichende Sprachwissenschaft, Sprachtypologie
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
Weitere Infos & Material
1. Introduction 2. The Definition and Categorization of Genre 3. Each Genre has a Defining Style that is Discernable 4. The Case that Genre is Irrelevant in Non-Traditional Authorship Attribution Studies 5. The Case that Authorship Trumps Genre in Non-Traditional Authorship Attribution Studies – WHITE 6. The Case that Genre Trumps Authorship in Non-Traditional Authorship Attribution Studies – BLACK 7. The Case for Shades of GRAY 8. Can Genre Ever be Mixed in the Experimental Design 9. Can Techniques be Developed So That Genre Can Be Ignored in the Experimental Design
10. The Necessity of Controlling for Genre in the Experimental Design
11. Intra-Genres in Non-Traditional Authorship Attribution
12. The Legal Profession, Forensic Linguistics, and Genre
13. Shakespeare’s Drama as a Case in Point
14. Large Language Models
15. Conclusion
