Lacan and Fantasy Literature

Portents of Modernity in Late-Victorian and Edwardian Fiction
Erscheinungsjahr 2017
ISBN: 978-90-04-33657-5
Verlag: Brill

Buch, Englisch, Band 23, 248 Seiten, Format (B × H): 152 mm x 231 mm, Gewicht: 340 g

Reihe: Contemporary Psychoanalytic Studies

Eschewing the all-pervading contextual approach to literary criticism, this book takes a Lacanian view of several popular British fantasy texts of the late 19th century such as Bram Stoker’s Dracula, revealing the significance of the historical context; the advent of a modern democratic urban society in place of the traditional agrarian one. Moreover, counter-intuitively it turns out that fantasy literature is analogous to modern Galilean science in its manipulation of the symbolic thereby changing our conception of reality. It is imaginary devices such as vampires and ape-men, which in conjunction with Lacanian theory say something additional of the truth about – primarily sexual – aspects of human subjectivity and culture, repressed by the contemporary hegemonic discourses.

Autoren/Hrsg.

Sharoni, Josephine

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologische Theorie, Psychoanalyse Psychoanalyse (S. Freud)
• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

Preface
Introduction: Vampires and Ape-Men: A Lacanian Reading of British Fantasy Fiction, 1886–1914
Introduction
The Return of the Primordial Father: Freud’s Totem and Taboo and the Late Victorian and Edwardian Fantasy Novel
The Outline of the Book

1 The Historical Background: The Modernization of Britain 1870–1914

2 Types of Literary Criticism: The Contextual versus the Critical Approach
2.1 Lacanian Psychoanalysis, Literary Criticism, and the Question of Evidence

3 Lacan’s Reconsideration of Totem and Taboo
3.1 Totem and Taboo and Oedipus Rex
3.2 The Name-of-the-Father
3.3 The Thing (Das Ding) and Object a
3.4 Anxiety and Object a
3.5 Père ou Pire: Father or Worse
4 ‘Yet Another Interpretation’

4 Science and the Thing: Arthur Conan Doyle’s The Lost World
1 Introduction
2 The Plot
3 Totem and Taboo and the Doubling of the Primal Father
4 The Abdication of the Father
5 The Father-Out-of-Law
6 The Return of the Courtly Love Tradition
7 Courtly Love as Art and the (Scientific) Need to See for Oneself
8 The ‘Larger than Life’ Scientist
9 Lacan and Sublimation
10 Science and Civilisation
11 The Ending of the Novel: The Use of Beauty
12 Courtly Loave, the Lady and the Baby Pterodactyl

5 The Missing Name-of-the-Father: She
1 Introduction
2 The Plot of She
3 She and ‘Totem and Taboo’
4 The Fantasy Space and the Absence
5 The Asexual Primal Father
6 A Land Where the Names of Fathers are Missing
7 The Absence of the (Normal) Sexual Relationship
8 The Father’s Bequest to His Son
9 Myth, Fantasy and Realism
10 Conclusion

6 The Recuperation of the Thing: ‘The Horror of the Heights’
1 Introduction
2 The Symbolic, the Real and the Thing
3 The Danger of the Thing
4 The Social versus a Deadly Solipsistic Enjoyment
5 The Primal Father Who Enjoys
6 The Return to the Greek Myths
7 The Summons of the Real

7 The Name-of-the-Science: The Invisible Man
1 Introduction
2 The Isolation of the Individual in Modern Urban Society
3 The Invisible Man as Primal Father
4 Invisibility and the Anonymity of the City
5 Beyond the Law
6 The Impossibility of a ‘Special, Solitary Enjoyment’
7 The Cancellation of the Name-of-the-Father
8 The Impossible Existence
9 ‘In the Country of the Blind the One-eyed Man is King’
10 The Name-of-Science

8 The Re-inscription of the Name-of-the-Father: Dracula
1 The Plot
2 Lacanian Readings of Dracula
3 Dracula as ‘Totem and Taboo’
4 The Fantasy Area: Transylvania and the Loss of the Symbolic Grid
5 Dracula’s Castle and Freud’s Reception Hall
6 Dracula in the Castle as Jonathan Harker’s Double
7 Van Helsing and the Return of the Master
8 The Ambiguity of the Master Figure

Conclusion

Bibliography
Index

Über Autor(innen)

Josephine Sharoni, Ph.D (2015) University of Kent, UK, is an independent scholar working at the intersection of Lacanian theory and literature. Her article on Joyce and Lacan appeared in the JML Summer 2016.