One-Track Mind

Capitalism, Technology, and the Art of the Pop Song
1. Auflage 2022
ISBN: 978-0-367-55372-2
Verlag: Routledge

Buch, Englisch, 308 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 631 g

Reihe: Ashgate Popular and Folk Music Series

The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural, aesthetic, and technical—the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, postpunk, adult contemporary rock, techno, hip-hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root, readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Siddiqi, Asif

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Rock & Pop, Blues, Soul
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

One-Track Mind: An Introduction

Asif Siddiqi

- Le Grand Kallé and African Jazz—"Indépendance Cha Cha" (1960)

Simon Zagorski-Thomas

- Gerald Wilson—"Viva Tirado" (1962)

Oliver Wang

- Moby Grape— "Omaha" (1967)

Susan Schmidt Horning

- Led Zeppelin—"Immigrant Song" (1970)

Esther Liberman Cuenca

- David Bowie—"Rebel Rebel" (1974)

Glenn Hendler

- Donna Summer—"I Feel Love" (1977)

Simon Reynolds

- X-Ray Spex—"Oh Bondage Up Yours!" (1977)

Helen Reddington

- Prince—"When You Were Mine" (1980)

Scott Poulson-Bryant

- Neil Young—"Transformer Man" (1982)

George Plasketes

- The Replacements—"Unsatisfied" (1984)

Gina Arnold

- NWA—"F- Tha Police (1988)

Austin McCoy

- Salt-N-Pepa—"Shoop" (1993)

Amy Coddington

- Hanson—"MmmBop" (1997)

Louie Dean Valencia

- Elton John—"Candle in the Wind 1997" (1997)

Christine Caccipuoti

- LCD Soundsystem—"All My Friends" (2007)

Gabrielle Cornish

- MIA—"Paper Planes" (2007) Asif Siddiqi

Über Autor(innen)

Asif Siddiqi is Professor of History at Fordham University in New York and specializes in the history of technology, Soviet history, and global histories of science. He has held visiting positions at Harvard University, MIT, Caltech, and the Smithsonian Institution. He received a Guggenheim Fellowship in 2016 and was a visiting scholar at Princeton University’s Davis Center for Historical Studies in 2021–22.