Buch, Englisch, Deutsch, Band 56, 283 Seiten, GB, Format (B × H): 155 mm x 230 mm, Gewicht: 608 g
Signs of Ethnic Difference
Buch, Englisch, Deutsch, Band 56, 283 Seiten, GB, Format (B × H): 155 mm x 230 mm, Gewicht: 608 g
Reihe: Amsterdamer Beiträge zur neueren Germanistik
ISBN: 978-90-420-1991-1
Verlag: Brill
Inhalt:
Birgit TAUTZ: Introduction: Color and Ethnic Difference or Ways of Seeing
Part I: 1800
Gudrun HENTGES: Die Erfindung der ‘Rasse’ um 1800 – Klima, Säfte und Phlogiston in de Rassentheorie Immanuel Kants
Wendy SUTHERLAND: Black Skin, White Skin and the Aesthetics of the Female Body in: Karl Friedrich Wilhelm Ziegler’s Die Mohrinn
Daniel PURDY: The Whiteness of Beauty: Weimar Neo-Classicism and the Sculptural Transcendence of Color
Assenka OKSILOFF: The Eye of the Ethnographer: Adalbert von Chamisso’s Voyage Around the World
Part II: 1900
Thomas R. MILLER: Seeing Eyes, Reading Bodies: Visuality, Race and Color Perception or a Threshold in the History of Human Sciences
Andreas MICHEL: “Our European Arrogance”: Wilhelm Worringer and Carl Einstein on Non-European Art
Nana BADENBERG: Mohrenwäschen, Völkerschauen: Der Konsum des Schwarzen um 1900
Fatima EL-TAYEB: “We are Germans, We are Whites, and We Want to Stay White!” African Germans and Citizenship in the early 20th Century
Part III: 2000
Uli LINKE: Shame on the Skin: Post-Holocaust Memory and the German Aesthetics of Whiteness
Christine ACHINGER: Colouring the invisible: The figure of the ‘black drug dealer’ as a projection of socially produced fears
Helen CAFFERTY: Orfeo and Sam: Racial, Sexual, and Ethnic Otherness in Dörrie’s Keiner liebt mich (1994) and Sanoussi-Bliss’ Zurück auf los (1999)
Birgit TAUTZ: Epilog: Farblose Räume
Fachgebiete
Weitere Infos & Material
Birgit TAUTZ: Introduction: Color and Ethnic Difference or Ways of Seeing
Part I: 1800
Gudrun HENTGES: Die Erfindung der ‘Rasse’ um 1800 – Klima, Säfte und Phlogiston in de Rassentheorie Immanuel Kants
Wendy SUTHERLAND: Black Skin, White Skin and the Aesthetics of the Female Body in: Karl Friedrich Wilhelm Ziegler’s Die Mohrinn
Daniel PURDY: The Whiteness of Beauty: Weimar Neo-Classicism and the Sculptural Transcendence of Color
Assenka OKSILOFF: The Eye of the Ethnographer: Adalbert von Chamisso’s Voyage Around the World
Part II: 1900
Thomas R. MILLER: Seeing Eyes, Reading Bodies: Visuality, Race and Color Perception or a Threshold in the History of Human Sciences
Andreas MICHEL: “Our European Arrogance”: Wilhelm Worringer and Carl Einstein on Non-European Art
Nana BADENBERG: Mohrenwäschen, Völkerschauen: Der Konsum des Schwarzen um 1900
Fatima EL-TAYEB: “We are Germans, We are Whites, and We Want to Stay White!” African Germans and Citizenship in the early 20th Century
Part III: 2000
Uli LINKE: Shame on the Skin: Post-Holocaust Memory and the German Aesthetics of Whiteness
Christine ACHINGER: Colouring the invisible: The figure of the ‘black drug dealer’ as a projection of socially produced fears
Helen CAFFERTY: Orfeo and Sam: Racial, Sexual, and Ethnic Otherness in Dörrie’s Keiner liebt mich (1994) and Sanoussi-Bliss’ Zurück auf los (1999)
Birgit TAUTZ: Epilog: Farblose Räume