Bodies of Stone in the Media, Visual Culture and the Arts

1. Auflage 2025
ISBN: 978-1-041-17623-7
Verlag: Taylor & Francis Ltd

Buch, Englisch, 368 Seiten, Format (B × H): 156 mm x 234 mm

If mediatization has surprisingly revealed the secret life of inert matter and the ‘face of things’, the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation. Within a contemporary imaginary pervaded by new forms of animism, the paradigm of death looms large in many areas of artistic experimentation, pushing the modern body towards mineral modes of being which revive ancient myths of flesh-made-stone and the issue of the monument. Scholars in media, visual culture and the arts propose studies of bodies of stone, from actors simulating statues to the transmutation of the filmic body into a fossil; from the real treatment of the cadaver as a mineral living object to the rediscovery of materials such as wax; from the quest for a ‘thermal’ equivalence between stone and flesh to the transformation of the biomedical body into a living monument.

Zielgruppe

Academic

Autoren/Hrsg.

Violi, Alessandra

Pinotti, Andrea

Grespi, Barbara

Conte, Pietro

Fachgebiete

• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Menschen, Häusliches Umfeld
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Animationsfilme, Zeichentrickfilme
• Geisteswissenschaften Philosophie Metaphysik, Ontologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

INTRODUCTION, I. STATUE: THE IMAGINARY OF UNCERTAIN PETRIFICATION, II. MATTER: SIZE, HARDNESS, DURATION, III. CORPSE: FOSSILS, AUTOICONS, REVENANTS, IV. MONUMENT: EMBODYING AND GRAFTING, Index

Über Autor(innen)

Alessandra Violi is Full Professor of English Literature and Culture at the University of Bergamo. Barbara Grespi is Associate Professor at the University of Bergamo where she teaches Cinema and Visual culture.

Andrea Pinotti is Professor in Aesthetics in the Department of Philosophy Piero Martinetti, State University of Milan.
Pietro Conte is a Tenure-Track Assistant Professor of Aesthetics at Ca’ Foscari University of Venice.