Photography Philosophy

1. Auflage 2010
ISBN: 978-1-4443-3508-8
Verlag: Wiley

Buch, Englisch, 344 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 499 g

Reihe: New Directions in Aesthetics

This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today.

- A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises

- Written in a thorough and engaging manner

- Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography

- Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism

- Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images

Autoren/Hrsg.

Walden, Scott

Fachgebiete

• Geisteswissenschaften Kunst Fotografie

Inhaltsverzeichnis

Introduction (Scott Walden, New York University).

1. Transparent Pictures: On the Nature of Photographic Realism (Kendall Walton, University of Michigan).

2. Photographs and Icons (Cynthia Freeland, University of Houston).

3. Photographs as Evidence (Aaron Meskin, Texas Tech University and Jonathan Cohen, University of California, San Diego).

4. Truth in Photography (Scott Walden, New York University).

5. Documentary Authority and the Art of Photography (Barbara Savedoff, Baruch College).

6. Photography and Representation (Roger Scruton, Institute for the Psychological Sciences, Princeton University).

7. How Photographs 'Signify': Cartier-Bresson's 'Reply' to Scruton (David Davies, McGill University)

8. Scales of Space and Time in Photography: “Perception Points Two Ways”: (Patrick Maynard, University of Western Ontario).

9. True Appreciation (Dominic Lopes, University of British Columbia).

10. Landscape and Still Life-Static Representations of Static Scenes (Kendall Walton, University of Michigan).

11. The Problem with Movie Stars (Noël Carroll, Temple University).

12. Pictures of King Arthur: Photography and the Power of Narrative (Gregory Currie, University of Nottingham).

13. The Naked Truth (Arthur Danto, Columbia University).

Epilogue.

Index.

Über Autor(innen)

Scott Walden's interest in photographic theory emerges from his training in philosophy and his practice of photography. His philosophical work has been published in the British Journal of Aesthetics, and his photographic work in Places Lost: In Search of Newfoundland's Resettled Communities (2003). In 2007 he was awarded the Duke and Duchess of York Prize in Photography by the Canada Council for the Arts. He is currently Assistant Professor in the Philosophy Department at Nassau Community College.