Streaming Sounds

Musical Listening in the Digital Age
1. Auflage 2024
ISBN: 978-1-032-22617-0
Verlag: Routledge

Buch, Englisch, 180 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 443 g

Reihe: Sound in Urban and Popular Culture

In a time when music streaming has become the dominant mode of consuming music recordings, this book interrogates how users go about listening to music in their everyday lives in a context where streaming services are focused on not only the circulation of music for users but also the circulation of user data and attention.

Drawing insights directly from interviews with users, music streaming is explained as never merely a neutral technology but rather one that seeks to actively shape user engagement. Users respond to streaming platforms with some relishing these aspects that provide music to be drawn into daily activities while others show signs of resistance. It is this tension that this book explores.

This unique and accessible study will be ideal reading for both scholars and students of popular music studies, communication studies, sociology, media and cultural studies.

Zielgruppe

Postgraduate and Undergraduate

Autoren/Hrsg.

Walsh, Michael James

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

Introduction: Streaming and the transformation of music listening 1. User-made playlists and the shaping of social interaction 2. Platform-generated playlists and the curation of musical listening 3. Social media convergence: Presenting the self through music listening 4. The networking of music streaming: Facilitating interaction and obtaining discretion 5. Ubiquitous music streaming: Incorporating music into the everyday

Über Autor(innen)

Michael James Walsh is an Australian sociologist and Associate Professor at the University of Canberra, Australia. His research interests include the sociology of interaction, the writings of Erving Goffman, cultural sociology, technology and music. A chief dimension of his research involves exploring the reception of communication technologies as they relate to and impact on social interaction.