Buch, Englisch, Band 63, 336 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 772 g
Reihe: Brill’s Studies on Art, Art History, and Intellectual History
Buch, Englisch, Band 63, 336 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 772 g
Reihe: Brill’s Studies on Art, Art History, and Intellectual History
ISBN: 978-90-04-23460-4
Verlag: Brill Academic Publishers
Since the beginning of modern times it has been widely accepted that the rights of women in the biblical world, in both private and public spheres, went from bad to worse from the Bronze Age through the Christian era. The data which Gruber presents in Women in Ancient Israel and Early Judaisms demonstrates that women in ancient Levant played many more roles in the public sphere than we might have imagined and the extent of their participation in public life was far more varied than is commonly assumed. The data and argumentation included force the reader to abandon numerous stereotypes concerning both women and ancient forms of Israelite and Jewish religion.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Mittelalterliche & Scholastische Philosophie
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
Weitere Infos & Material
Acknowledgements
List of Figures
List of Maps
Abbreviations
Introduction: Two virtuoses, Mme Doublet and Mme Geoffrin
1 Mme Doublet, Bachaumont and “the Parish”
1 The Maison Doublet in 1722
2 The Parish: “Learned Men of All Kinds”
3 The Maison Doublet, Breuilpont and “the Parish”
4 The Boyer Brothers and the Parish
5 “La jolie tête” and “les deux frères:” The Ferriol
6 “The Good Doctor,” “Sage Mairan” and Sainte-Palaye
7 The “Five abbés”
8 An Outpost of the Palais-Royal
2 Shaping Taste, Academic Reform, and Saving the Louvre
1 Reinvigorating the Academy
2 Artists in Paris ca. 1750
3 Saving the Louvre
4 Essai sur la peinture, la sculpture et l’architecture (1751)
3 Politics, Art, Journalism, and Bonds of Friendship at the Maison Doublet
1 Gallicanism, Parlement, and the Parish
2 The abbé Laugier and the Parish
3 The La Curne Brothers: Erudition and Art
4 “La présidente de Meinières, Who Loves Letters”
5 The Maison Doublet
4 Wednesdays and Mondays: Mme Geoffrin and Her bureaux d’esprit and des arts
1 Shaping Taste: Mme Geoffrin’s “Mondays”
2 Caylus: Leading at the Academy, Presiding at the lundis (1747–1752)
3 Who Attended the lundis?
4 Collector Friends: The marquis de Voyer and comte de Vence
5 Paintings, Manuscripts, and Books: Gaignat (1697–1768)
6 Art and Social Mobility: Gaillard de La Bouëxière (1676–1759)
7 “Patriotic” Collecting: Ange-Laurent La Live de Jully (1725–1775)
8 “Nothing … but Van Loos, Bouchers, Pierres, Viens, Doyens”: The Collection of Watelet
9 Other Amateurs at the lundis during the Fifties
10 Marigny’s “compagnons de voyage”: Cochin, Soufflot and abbé Le Blanc
11 Artists of the lundis
5 Paintings Made “Under My Eyes”
1 Antiquity, Encaustic, and “Costume”
2 Mme Geoffrin and Van Loo: They Argued, … They Laughed, They Cried … and … the Painting … Was Finished
3 Apelles Resuscitated: Vien and Mme Geoffrin
4 Vernet: “Imagination” and “Fire”
5 Laborde: Vernet, Greuze, and the Painter’s Revenge
6 Vernet, Boucher and the petit cabinet
7 Hubert Robert: Intimate Views of Mme Geoffrin
8 Lagrenée the Elder and Mme Geoffrin’s “Clandestine Devotion”
9 Mme Geoffrin’s cabinet de compagnie
6 Epilogue: Mme Geoffrin: Advocate and Liaison
1 Agent for the English
Select Bibliography
Index