Bloch / Zolli The Art of Sculpture in Fifteenth-Century Italy

Erscheinungsjahr 2019
ISBN: 978-1-108-63674-2
Verlag: Cambridge University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 0 Seiten

Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.

Autoren/Hrsg.

Bloch, Amy R.

Zolli, Daniel M.

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus

Inhaltsverzeichnis

Introduction – making and unmaking sculpture in fifteenth-century Italy Amy R. Bloch and Daniel M. Zolli; Part I. Surface Effects: 1. The color of white in fifteenth-century Tuscan sculpture Una Roman D'Elia; 2. The colors of monochrome sculpture Frank Fehrenbach; 3. New light on Luca della Robbia's glazes Catherine Kupiec; Part II. Sculptural Bodies: 4. Donatello, Alberti, and the free-standing statue in fifteenth-century Florence Peter Jonathan Bell; 5. Complicating matters Ashley Elston; 6. Sculptural transformations in Quattrocento Italy Megan Holmes; Part III. Sculptural Norms, Made and Unmade: 7. The body, space, and narrative in Central and Northern Italian sculpture David J. Grogin; 8. Rethinking style in fifteenth-century Italian sculpture Robert Glass; 9. Bellano's invention at the Santo Sarah Blake McHam; Part IV. Sculpture as Performance: 10. Sculpture and sacrifice Adrian Randolph; 11. Performative light Morgan Ng; 12. Tullio Lombardo, Antonio Rizzo, and sculptural audacity in Renaissance Venice Lorenzo G. Buonanno; Part V. Sculpture in the Expanded World: 13. Substance and surface Yvonne Elet; 14. Conjoining economy and ritual Lauren Jacobi; 15. Solidified saints Henrike Lange; 16. Candelabra-columns and the Lombard architecture of sculptural assemblage Michael J. Waters; Part VI. Sculpture and history: 17. Jacopo della Quercia's Fonte Gaia Amy R. Bloch; 18. Virgil's forge Daniel M. Zolli; 19. Trust in sculpture Joost Keizer.

Über Autor(innen)

Bloch, Amy R.
Amy R. Bloch is associate professor of art history at the State University of New York, Albany and author of Lorenzo Ghiberti's Gates of Paradise: Humanism, History, and Artistic Philosophy in the Italian Renaissance (Cambridge, 2016). Her work has been supported by fellowships and grants from the Villa I Tatti (the Harvard University Center for Italian Renaissance Studies), the Renaissance Society of America, and the College Art Association.

Zolli, Daniel M.
Daniel M. Zolli is a scholar of early modern art and an assistant professor at The Pennsylvania State University. In 2015, he co-curated Sculpture in the Age of Donatello at the Museum of Biblical Art for which the accompanying catalogue was a finalist for the Alfred H. Barr Award of the College Art Association.